Satyajit Ray Film & Television Institute

Chanchal, a typical soft middle class young Bengali and Calcuttan, not masculine enough and unconfident about the sex and the woman, pays out most of his time finding a suitable girl to prove his credibility as a male. In most of the cases he fails to frame himself as good enough a man to the girls he come across and gets disillusioned on all the occasions. Finally, he almost reaches a beautiful girl to a close proximity, but unfortunately, no sooner had he succeeded to win the girl's attention, he becomes blind in the curse of God.

In Kolkata, three art college graduates named Kapil, Debdutta and Padmini decide to live together and share their love for each other equally.

Kanhaiya, loyal to village chief Gop Ji, must choose between duty and conscience when "Pandubbi" returns, unearthing old secrets and shaking the soul of the village.

In the 90’s in a convent in Kerala, Sister Philomena is seriously ill while all the others are preparing for the anniversary of the convent school. Sister Nirmala who looks after sister Philomina is assigned to be with the actress Urvasi, the chief guest for the function. Sister Nirmala’s happiness has no bounds as it the same actress she has a deep fascination for, which the rest of the convent is not aware of. Things take a decisive turn when, on the day of the anniversary sister Nirmala is asked to stay back and look after Sister Philomina whose condition has unexpectedly deteriorated.

Oru Paathira Swapnam Pole is a Malayalam drama movie, directed by Sharan Venugopal. The cast of Oru Paathira Swapnam Pole includes Nadhiya

Driven by ambition, a young Nigerian athlete sells his father’s land to pursue his dream of becoming a professional footballer in India. However, a career-ending injury leaves him disillusioned and stranded in an unfamiliar country.

Set against the backdrop of NRC and CAA, the film navigates the life of an old man who is forced into early retirement as he fails to produce proper documents.

Gi lives with Appachan, her grandfather. She and he are dealing with different realities. Appachan is losing some memories and delving into worlds Gi is unfamiliar with. She on the other hand is trying to come to terms with the world around her, her lover and her work which all seem hostile to her.

a short film, when there's a man between Kolkata the city and history of riots he had witnessed.

Uttam Das, a folk singer of Bengal, built an Ashram for music in his native village, on the riverbank of Ajay. This Ashram is a unique example, in the modern world where an artist lacks free space to practice art. The artists gather here to celebrate music and the silence of nature uninterruptedly. In ashram rain arrives, seasons change, and stillness of the time persists. But today man's greed tries to destroy the river and the surroundings, pains the land and the artist.

A propaganda playwright faces challenges during the final rehearsals of the play when a certain turn of events unravels the contrast between the real lives of the actors and that of their characters. The rehearsal stops when the lead actor refuses to deliver a dialogue out of fear of religious conversion.

Art film about a woman dying and three princes taking a journey. Vipin's diploma film at Satyajit Ray Film and Television Institute, Kolkata (2003), looks at the ideas of entrapment and liberation.

A writer stays away from the city with an elderly widow. His wife had desserted him. He suffers from a writer's block. The incessant mating calls of cuckoos disturb him. On one such afternoon, an old friend Shanti, abandoning his wife's funeral has come looking for him. Is he sad?

Jag, an unnerved contractor shelters an unconscious, troubled boy - having promised him a healthy future for the two.

Shirish, a struggling student, tries to solve mathematical equations and/or tries to break out of a human cage.

A man and a woman meet in an urban space as strangers and remain so until the end whilst they steadily grow alienated from their surroundings. As they close in on their own crises, they begin to feel comfortable with their respective existences.

The continually surprising and endlessly playful visuals in Subarna Dash and Vidushi Gupta’s animation are the perfect accompaniment to the lively and taboo-busting discussion of a group of young women.

Meenakshi, a middle-aged working woman, on this day comes home early from work and finds her husband cheating on her with their maid. But there is something more terrifying yet to be revealed.

Neerbhukhi, a peaceful demoness, wants nothing more than to be one of the humans. However, the villagers will not accept her because they believe she is responsible for a severe water shortage. Following a traumatic incident with the humans, the demoness hides in a dried-up well and bursts into tears. Her tears pour forth in a raging torrent and flood the well. It is said that the demoness still cries in the well and that the village has been blessed with water ever since.

Inspired by Tennessee Williams' short story "Something by Tolstoi," this movie is about a cinema projectionist whose wife decides to leave him so she can become a well-known actress in the movie business. The projectionist had been rewriting the happy endings of Bollywood tragedy films since he was a young boy. He was a closet writer. Despite his talent, he lacked the confidence to survive outside his movie theatre. The projectionist loses all control as he creates a variety of happy endings for his love tale in an effort to win back his wife. After a decade, fate steps in and brings his wife back. However, he has forgotten who she is and what he has been looking forward to for all these years.