Edgar Neville Producción

Title changed to "Flamenco" when it was first released in the USA in 1954, this is a program of Spanish songs and dances with the emphasis on "flamenco" or gypsy contributions. The USA version has an English narrative written by Walter Terry, the dance critic of the "New York Herald Tribune" newspaper. Heading the cast are Antonio (I), Pilar Lopez and Maria Luz, three of Spain's foremost dancers of the time, accompanied by members of the Ballet Espanol. Filmed in Cinefotocolor in which orange and blue dominated, a combination that should appeal to the fans of Auburn University athletic teams. Distributed in the USA by Martin J. Lewis.

Fernando has just finished the military service. It decides to buy Bucéfalo, the horse that has been his partner for this time and returns to Madrid removing with it to the animal. But everything has changed, the city already neither is the same and even he nor finds stables nor has time to attend to it. This way the things remedy will not have any more that to look for any solution.

After burying his late husband, a young widow leaves his provincial life and heads to the city. It was a very hard stage in her life, and she had to bear it with resignation, but now she's willing to make up for lost time. On the way to the city, she meets a fortune teller who will talk to her about the decisions she made or could have made.

Barcelona, in the forties. Young Andrea comes to town to start college in the midst of an oppressive environment and extreme poverty. She's staying at her aunt Angustias, along with other family members. But the quarrels between them are continuous, making evident the open wounds left by the Spanish civil war.

The finding of a wallet with a lot of money is the common theme of four stories, featuring a shoeshine from Seville, a clerk from Salamanca, a bullfighter from Cuenca and a newspapers seller from Paris.

Madrid, Carnival Sunday. A night watchman finds the body of a woman, a rich and greedy moneylender who has apparently been murdered. The prime suspect is a watchmaker who owed her a lot of money.

Two fairy godmothers struggle to make their godchildren not fight and love each other, but a third person intervenes and worsens the situation.

José de Salamanca was arguably one of the most influential figures of the Spanish 1800s. This films tells his story.