Malay Film Productions Ltd.

Jobless and penniless, the happy-go-crazy trio Ramli, Aziz, and Sudin decide to try their luck as movie stars while navigating the daily challenges of living in a crowded boarding house. The studio manager promises them a break if they can prove their talent in a screen test, but their naivety and inexperience lead to hilarious results. With their ongoing antics, will fame in showbiz change them in any way? The fourth installment of the 'Bujang Lapok' series. This film chronicles the misadventures of the three bachelors as they embark on their quest for stardom. Along the way, they also contend with their eccentric neighbors and Ramli’s budding romance with one of them.

Tiga Abdul (The Three Abduls) is a 1964 Malaysian comedy film directed by and starring P. Ramlee. It tells the story of three brothers who are caught in a web of trickery set by the cunning Sadiq Segaraga who uses his three daughters to fleece the three brothers of all their wealth. The movie is a tribute to traditional folktales with a moral set into the story and is set a fictional middle eastern country named Isketambola, which is loosely based on Istanbul, Turkey.

Three friends want to become warriors. Ramli, Aziz, and Sudin seek to learn Silat from an expert, Pendekar Mustar. Mustar's daughter, Ros, the village teacher, initially thinks they are crooks but soon realizes she is wrong and even falls for Ramli. The second installment of the 'Bujang Lapok' series. This film chronicles the misadventures of the three bachelors as they learn self-defense. Along the way, they discover their shared attraction to their teacher's daughter and their illiteracy.

Hassan (P. Ramlee) is 10 when his father died. His mother had died when he was younger. His late father's boss feels sorry for Hassan and adopts him. However, Hassan's foster father's own child, Aziz (Jins Shamsudin) is jealous of Hassan and hates him. When both of them have fully grown up, Aziz and Buang (Salleh Kamil) always bully Hassan. At the same time, Salmah (Saadiah) has developed a crush towards Hassan, fuelling Aziz's fury. When the Second World War is approaching, the Royal Malay Regiment begins recruiting young soldiers.

Omar, a music teacher, teaches Rokiah to play the violin. He falls in love with Rokiah’s sister named Zaharah. Their romance goes through various bitter and sweet stories.

The story tells a tale of a God who lives in a kingdom among the clouds who is at war due to the kingdoms fighting over the ownership of his daughter. To settle the problem the God placed a spell on his daughter transforming her into a Pau fruit and to be thrown on earth. As it landed in the seas it was swept a shore and was found by the maids of a queen who ate the fruit. She was found to be pregnant not long afterwards.

Raja Bersiong, the Fanged King, is a cannibal monarch in the Kedah epic literature Hikayat Merong Mahawangsa (HMM). A king with an intense appetite for human blood that over time he grew fangs and began attacking his own people to feast on them.

Based on a bangsawan story by stage veteran M. Babjan, ‘Mas Merah’ concerns the titular character who is daughter to a family with two feuding wives. Her mother is Mak Merah, who shares a husband (Pak Sagai) with Mak Gelam. Unfortunately, the pair of mothers are not on good terms with each other, often resorting to verbal abuse and catfights to settle their differences. The animosity and resentment get so far as to incite Mak Gelam to injure and kill Mak Merah. After her mother’s death and accusations of impropriety against her, Mas Merah is forced to leave her family and kampong to seek refuge in the wilderness. There, she meets Awang Sulong, a prince who is born and raised in the forest as a consequence of the king’s blind belief in the slander of his mother Puteri Mayang Mengurai. Together, they seek to do good and reverse the atmosphere of lies and betrayals clouding the kampong and the royal court.

"Anak Pontianak" aka "Son of Pontianak' in 1958 starring the Shaw studio's leading lady Hashimah Yon and its male heartthrob Jins Shamsuddin. This horror film also featured a host of supernatural beings,besides the Pontianak and her werewolf son there was also a Polong (in the film the creature was shown as a kind of Mr Hyde alter-ego of one of the characters) and a Hantu Ular (Snake Ghost).

Jamil, already married decided to get a second wife, Hasnah, without Latifah's permission. Latifah came to know about it went to his wedding ceremony and created a big chaos. Jamil ran away and stayed low key for few days in a hotel thinking of his next move. Just when everything was calm and smooth, Jamil met Rohani and it was love at first sight. Jamil decided to get married... again. Will love prevail?

'Hantu Kubor' is the sequel to 'Hantu Jerangkong' (1957), and the story here continues from the earlier film. Following her extermination, Mak Hitam the witch comes back to life as a grave ghost haunting the village cemetery. She threatens to cause chaos if the newly-wed Musa does not comply with her demands. When Tok Penghulu (the village chief) and the villagers find themselves unable to match the supernatural prowess of Mak Hitam, they seek help from Tok Pawang (the shaman) who understands the genesis of Mak Hitam's occult power and knows a way to subdue her.

A deformed hunchback is given a second chance at life, but then he breaks the rules of his benefactor and is transformed into a horrific monster.

Haji Bakhil, a miser, have two servants, Labu - the cook, and Labi - the driver. The two of them have secret admiration for Haji Bakhil's beautiful daughter, Manisah. After a hard day's work, Labu and Labi started talking about their girlfriend not knowing that they both admire the same women. During bedtime, they lamented to each other about their life being poor and wondered what would happen if they were rich and famous. Labu pretended that he was a doctor and Labi a magistrate judge

Bidasari film tells the story of a girl who lives shared with a fish that has a pretty face and a stunning stained-glass voice. Bidasari is a hatred by the Queen after she found that Bidasari is the most beautiful woman in the kingdom when she once saw in the magic mirror.

Fatima lives with her mother, working with her as a seamstress. Disappointed by her mother’s gambling addiction, she decides to work as a singer at a nightclub. There, Fatima meets Abdullah, a businessman whose wife, Endon, constantly mocks and humiliates him. Abdullah soon falls in love with Fatima and they begin an affair. However, Abdullah’s colleague is also smitten with her, and when Endon finds out about her husband’s relationship, she plots with his colleague to expose the affair. It is the first Malay film helmed by a Singaporean Malay under the Malay Film Productions, Shaw Brothers. Made in 1952, the musical drama witnesses an abusive relationship that results in an extra marital affair.

This is a classic film about a women masquerade as Panji Semerang a jawa warrior for taken back her father kingdom that been capture by evil.

A son leaves his widowed poor mother to make a fortune and promises to return for her. He rises up the ranks and even marries royalty but his promise is soon forgotten. When he returns to his homeland, he refuses to acknowledge her and his callous ways leads to tragedy.

Kassim is living with his brother and sister-in-law when he finds out he is about to inherit all his family's wealth. Kassim, a young man who prefers to sing and play, is thrown out of his home by his brother and deprived of his wealth. He starts to lead a wandering life with two friends. One day, Kassim discovers pirate treasure. (This film is different from the 1952 film Anjuran Nasib, also directed by B.S. Rajhans).

The first of the four 'Bujang Lapok' ('Worn Out Bachelor') movies. This first one chronicles the loves and lives of three bachelors living in 1950s Singapore.

Fauziah is the daughter of a poor itinerant food vendor whose brother has forsaken them for a life of luxury. On a particularly stormy night, Fauziah’s already frail father is hit by a car during his return home. The driver Yazid is a young kind man who takes to caring after Fauziah and eventually marries her. In Darah Muda, Fauziah is the epitome of a virtuous woman during its time – extremely reserved, pious, a faithful wife and a nurturing mother