American Mutoscope & Biograph

A man recognizes the thief who had previously robbed him as one of the men involved in an unrelated mob shootout.

To fulfill a dying mother's bequest for her daughter, the town pastor purchases the daughter a stylish hat, and gossip spreads through the town.

A pair of young ladies cause trouble at the cinema with their lavish hats.

A wealthy, callous moneylender finds a terrifying way to learn about money's limitations.

In an Indian tribe, a girl escapes from her father and suitor to be with the man she loves.

A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.

This might be termed a comedy of errors, for the overzealousness of a lot of good-hearted simple folks places them in a rather embarrassing position. Lillie Green, who keeps a boarding house, receives a letter from her old school chum, Polly Brown, whom sin hasn't seen in years, to the effect that as Lillie has never seen her little darling daughter, she will send her for a few days' visit, asking that someone meet the child at the 3:40 train. Lillie's boarders are a bunch of kind-hearted bachelors, who at once prepare to give the "Little Darling" the time of her life, buying a load of toys, etc., for her amusement, also procuring a baby carriage with which to meet her at the train. You may imagine their embarrassment when they find that Tootsie, instead of being a baby, proves to be a handsome young lady of seventeen, whose tastes run rather to garden gates, shady lanes and quiet nooks, than toys. (Moving Picture World)

On a whim, a greedy tycoon decides to corner the world market in wheat. This doubles the price of bread, forcing grain producers into charity lines and others further into poverty. The film contrasts the differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.

Griffith adapts the story of the Apocryphal Book of Judith to the screen. During the siege of the Jewish city of Bethulia by the Assyrian tyrant Holofernes, a widow named Judith forms a plan to stop the war as her people suffer in starvation, nearly ready to surrender.

While caring for his sick daughter, a doctor is called away to the sickbed of a neighbor. He finds the neighbor gravely ill, and ignores his wife's pleas to come home and care for his own daughter, who has taken a turn for the worse.

A train-station telegraphist warns the next station of approaching bandits.

A young woman takes over her sick father's role as telegraph operator at a railway station, and has to deal with a team intent on train robbery.

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

Time-lapse photography showing the one month-long demolition of the Star Theatre in New York.

A young couple struggle to get ahead, the wife always assuaging the troubles of her melancholy husband. As he climbs the ladder of success, he abandons the homely values and begins an affair with a beautiful woman. His wife leaves him, returning to her mother's home where she bears a child. When the husband is abandoned by his lady friend, remorse drives him to find his wife.

The story of the massacre of an Indian village, and the ensuing retaliation.

This one-reeler has been regarded as a classic example of a Griffith thriller. It engages with the Chinese White slave traffic from the perspective of a female detective, played by Marion Leonard, whose assignment is to expose and break the traffic ring. A fragment is widely available.

In this story set at a seaside fishing village and inspired by a Charles Kingsley poem, a young couple's happy life is turned about by an accident. The husband, although saved from drowning, loses his memory. A child is on the way, and soon a daughter is born to his wife. We watch the passage of time, as his daughter matures and his wife ages. The daughter becomes a lovely young woman, herself ready for marriage. One day on the beach, the familiarity of the sea and the surroundings triggers a return of her father's memory, and we are reminded that although people age and change, the sea and the ways of the fisherfolk remain eternal.

The camera platform was on the front of a New York subway train following another train on the same track. Lighting is provided by a specially constructed work car on a parallel track. At the time of filming, the subway was only seven months old, having opened on October 27, 1904. The ride begins at 14th Street (Union Square) following the route of today's east side IRT, and ends at the old Grand Central Station, built by Cornelius Vanderbuilt in 1869. The Grand Central Station in use today was not completed until 1913.

Strong-man Eugene Sandow flexes his muscles and strikes a few poses in front of a black background. This was a short film shot by William K.L. Dickson for the American Mutoscope Company and is not the 1894 Edison film shot at the Black Maria.