While James More is held captive by terrorists in Somalia, thousands of miles away on the Greenland Sea, his lover Danny Flinders prepares to dive herself in a submersible into the deep bottom of the ocean, tormented by the memories of their brief encounter in France and her inability to know his whereabouts.
When a globe-trotting, workaholic father trying to visit his daughter on a last minute layover in Los Angeles discovers that she’s disappeared, he forces her awkward, nervous ex-boyfriend, still nursing a broken heart, to help him find her over the course of one increasingly crazy night.
An army veteran discovers an abandoned boy lurking in the woods behind her childhood home. After taking in the boy, she searches for clues to his identity, and discovers local folklore about a malevolent life-draining spirit that comes in the form of a child: The Tatterdemalion.
The stories of four service men and women, whose grit, smarts, and perseverance are on full display as they allow cameras to witness their most deeply personal, inevitably tense, raw, and honest therapy sessions in real—time. The film seeks to bring understanding to how the human mind responds to trauma, to what a diagnosis of PTSD means, and how PTSD can impact daily life, far removed from a military setting.
Sedated, Keely awakens to find herself captive in a cabin in northern Ontario. Alone with Du, who has been assigned to be her guard and caregiver, she will be forced to bring her pregnancy to term by an extremist anti-choice faction.
When Kenny Scharf arrived in NYC in the early 1980’s, he quickly met and befriended Keith Haring and Jean Michel Basquiat; There, amongst the fervent creative bustle of a depressed downtown scene the trio would soon change the way we think about art, the world, and ourselves. But unlike Haring and Basquiat, who both died tragically young, Kenny lived through cataclysmic shifts in the East Village as well as the ravages of AIDS and economic depression. 'When Worlds Collide' is about the art of fun, about living life out loud, despite setbacks, and about Kenny Scharf’s particular do-it- yourself, high-tone, technicolor artistic vision.
