Norsk Filmfond

An absurdist, surrealistic and shocking pitch-black comedy, which moves freely from nightmare to fantasy to hilariously deadpan humour as it muses on man’s perpetual inhumanity to man.

Two 11-year olds, Julia and Martin, decide to swap lives with each other.

5 Norwegians head for a cabin in the wilderness for a few days of team building. But strange things start happening - especially down by the water where they find an abandoned tent. Is there someone else?

After reuniting with his mother in Ho Chi Minh City, a family tragedy causes Binh to flee from Viet Nam to America. Landing in New York, Binh begins a road trip to Texas, where his American father is said to live.

Kassa a free-wheelin rasta man, falls for a straight laced gospel singer Serena, when they both meet as they enter a music contest. Serena's father the pastor forbids her to see him and wants her to marry one of his church members. Meanwhile the record boss organizing the contest, tries to get Kassa's band to sign to his label on his terms not theirs. By using heavy tactics, he pushes the band to fight back.

A college professor abandons his family and his career in order to champion his mistress, a student radical accused of killing a policeman.

Two construction workers have a serious conversation about life.

Lotte and her father moves in with Kristin, a former beauty queen, and her daughter, Vendela. Kristin is grooming Vendela to win the Little Miss Norway contest, and as a result both girls get more and more preoccupied with their looks. When Lotte is allowed to participate in the contest, it soon becomes clear that being too vain can be a frightening experience.

In my film works the main focus is on impermanence, transience, and ideas of change, shifts and “repositioning”. Landscape and architecture that appear to be solid and permanent is experienced unstable and disorienting. In travelling fields I am particularly interested in the idea of geography and how it can be examined and visually reworked in the dimension of altered time and filmic space.
In this work I continue to work with shifts in perspective and working with the specific qualities it produces in the image. These qualities are results of certain ways of framing and the parallax movements produced by the travelling camera. It includes architectural elements and different ground surfaces in the Murmansk region, Kola Peninsula, Russia.


Fellini and football. Gradisca and Volpina. Mommy's boys, loose dogs, macho men and strong women. Milan, Rome, Venice, Amarcord, mi recordo, - I remember. What makes you happy? What are you afraid of? How could life have been? Throughout his childhood, the director has longed for Italy, and now he is making a journey from north to south that we can join. Italy's living room is the coffee bar, so of course we meet our everyday heroes there, some are cut out of a Fellini movie. Here we listen to hopes of lottery winnings, talks about football, but also reflect on the great existential questions about what the future can bring.