La Compagnie des Indes

Plot: TBA

Maxime Depratte, a charismatic company director, invites Corentin Michelot, his meticulous and unassuming accountant, to dinner to "fix" a compromising financial statement just hours before a board meeting. Ségolène, Maxime's wife, is very upset about being an accomplice to this foolish dinner. However, through misunderstandings and plot twists, the three of them will uncover the hidden sides of their own personalities.

Théâtre de la Porte Saint-Martin , Paris From 16 janvier to 28 avril 2018. The Game of Love and Chance (French: Le Jeu de l'amour et du hasard) is a three-act romantic comedy by French playwright Marivaux. The Game of Love and Chance was first performed 23 January 1730 by the Comédie Italienne. In this play, a young woman is visited by her betrothed, whom she does not know. To get a better idea of the type of person he is, she trades places with her servant and disguises herself. However, unbeknownst to her, her fiancé has the same idea and trades places with his valet. The "game" pits the two false servants against the two false masters, and in the end, the couples fall in love with their appropriate counterpart.

Jean-Marie Bigard plays Clérambard, a ruined squire, his family's slavery slave, cat taster, parish priest eater. Converted after an appearance of Saint Francis of Assisi, he becomes as violent in good as he was in evil. A tailor-made role! He no longer touches animals, even if they are insignificant, he finds purity in girls of joy, pleasure in destitution and he will preach this message on the roads, in a caravan, taking his family on its crusade of love .

Jérôme Bel's show features the memories of spectators at the Avignon Festival.

Theatron, the film by the multi-award-winning film-maker Giulio Boato, is an unprecedented portrait of Romeo Castellucci. Castellucci and his theatre company, the Socìetas Raffaello Sanzio, are key protagonists of avantgarde theatre. To a Vivaldi soundtrack, Theatron layers Romeo and Claudia Castellucci’s comments with the testimonies of dramaturgs, composers, choreographers, critics and actors (including Willem Dafoe) who have collaborated with the director. Between rehearsals and international tours, the film is a deep reflection not just on the performances, but also on the connection between the author and the representation of human nature.

"Jerk" is an imaginary reconstruction – strange, poetic, funny and somber – of the crimes perpetrated by American serial killer Dean Corll who, with the help of teenagers David Brooks and Wayne Henley, killed more than twenty boys in the state of Texas during mid-70s.

July 14, 1962. It's the excitement at the famous cabaret "Le Glamour". The alluring singer Lola-Lola begins a new singing tour: we are sold out. But stupor and disaster! In the basement, in the toilets kept by the cantankerous Penelope, we discover a corpse in the ladies' room.

Always egocentric and in search of good words, always an assumed homosexual, but this time in couple with a companion whom he loves to martyr, it is now his desire to have a child that will be the crux of the story. He wants a son and he has promised him to two women: Sylvie, his best friend, and Isabelle, the promising actress in his next play! A real battle of "females" will then oppose the two young women, each of a very assertive nature... Five characters who tear each other apart for our greatest pleasure.

The fourth and final part of a cycle of horror and barbarism. The ultimate progression of an inexorable march of evil before the restoration of peace. It's not just about the magnetic and fascinating character: it's more the painting of a bruised and devastated society, conducive to the hatching of a monster in question.

Caroline Estremo, a nurse by profession, decided to bring her first book to the stage: "#infirmière". Instead of plunging into tragedy, she opts for humor: "I wanted to talk about it with humor, because it's more listenable for the general public. We've been on strike for years, marching in the streets, but I have the impression that people no longer hear us or see us. So I chose a different strategy: to make people laugh and make them laugh." It is thus that her one-woman show was born.

Théophile, a successful writer, finally finds inspiration again. His new book shocks people, because many of his close friends recognize themselves in the characters.

A French adaptation of Anton Chekhov's play "The Seagull", staged by Arthur Nauzyciel.