Suomi-Filmi

In Eastern Finland, in Liperi to be exact, Anna-Liisa Ihalainen asks her husband Antti to get some matches from the Ihalainen household. Unfortunately that trip takes a little longer than expected...

Eetu, a wealthy homeowner, attempts to seduce Leena Kosken. But when austere log boy Erkki meets her at midsummer dances, Leena falls in love with him instead. Jealous, Eetu turns the men of the village against Erkki and the Tukki people.

A handsome young womanizer deceive tender women by first charming them and then taking their money.

Based on Finnish mythology; Lemminkäinen woos the fair Annikki and battles the evil witch Louhi. Louhi kidnaps Annikki to compel her brother to build for her a Sampo, a magical device that creates salt, grain, and gold. When Lemminkäinen fails to recover the Sampo, Louhi steals the sun, plunging the world into frozen darkness.

A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.

A story set over one night in a small rural community we watch various relationships and actions among local people; these include birth, death, and conflicts fuelled by alcohol. The fates of various characters become interlaced over a long and light-filled summer night in the Finnish countryside. Lumberjacks, a deer-eyed young man Nokia, a family of poor farmers, a young girl and her lover. New life is born, old life dies, man is slain in his prime, and his widow continues her life.

The romantic musical comedy Kaikki rakastavat is a key work in Finnish film history since it was the first feature film of Valentin Vaala as the house director of Suomi-Filmi and the film which launched the most beloved screen couple of Finland, Tauno Palo and Ansa Ikonen.

Silent military propaganda film by Erkki Karu, later followed by the musical revue film Meidän poikamme merellä ("Our Boys at Sea", 1933) and Meidän poikamme ilmassa – me maassa ("Our Boys in the Air – and We on Land", 1934), both of them also directed by Karu. The film comes with a orchestral accompaniment arranged by Raine Ampuja in 2005, based on the original score by Lauri Näre and Emil Kauppi, which in turn was based on traditional Finnish military tunes.

A young woman leaving the city for the countryside encounters the concept of voluntary work - new to her. She eventually does good, and charms the employer at the same time.

Coast guard battles the bootleggers who smuggle booze across the Gulf of Finland during the prohibition law.

“Tukkijoella” (Log River – 1928). Films of this genre gave the Finnish cinema and the viewing public one of its most popular characters – the lumberjack (tukkijatka, tukkipoika, tukkilainen) who at his most heroic hour becomes the log-roller or the shooter of rapids (koskenlaskija). The significance of this character in Finnish film is comparable to that of the Cowboy on American cinema. He is the pioneer, the wanderer, the adventurer. He negotiates the frontier, he is an embodiment of the conflict between wilderness and civilization.

Esko is going to a neighboring village to marry Kreeta after her father arranged the marriage with Esko's father. Esko takes Mikko as his travel companion and that's where Esko's ordeals begin.

A traditional misunderstanding story with an unfounded suspicion of jealousy at the beginning. Childhood friends Kati Jorma and Jalmari Karvi do not reveal their previous meetings to their suspicious spouses.

The new steward of Siltala ends up falling in love with the beautiful widow of the house. Their romance is endangered by misunderstandings and the fact that the estate of Siltala is swimming in debt. And the new steward isn't quite what he seems to be.