Escola de Comunicações e Artes, Universidade de São Paulo

A man goes through his options when dealing with an unknown person. Based on "Grande Edgar", by Luís Fernando Veríssimo.

Solano is often plagued by nightmares in which, during the Middle Ages, he is pursued by the hunter Faro, who intends to kill him. On discovering, in an antiquarian, a tapestry that represents a hunt and that reminds him of his dream, he tries to buy it, but the owner refuses to sell it.

Juliano is a young artist who lives a happy life with his boyfriend, Nuno, a 65-year-old man, until his relationship is shaken by the discovery that his partner has a degenerative disease.

Reconstitution, through photos, films and texts, of the arrival in Brazil of the poet Cendrars, in 1924. Tributes received, visits throughout the country and the desire to make a "100 percent Brazilian film". Testimonials from figures who lived with the intensity of the core of modernist artists: Tarcila do Amaral, Oswald de Andrade, Mário de Andrade and Di Cavalcanti. Scenes from São Paulo, Rio de Janeiro, São Martinho Farm and the 1924 Revolution. Scenes from the movie LES HEURES CHAUDES DE MONTPARNASSE. Reference to Aleijadinho and Febrônio Indio do Brasil.

The short film depicts the life of a boy who is constantly sexually abused by his father. Leonardo Miggiorin brilliantly plays the role of this boy, who belongs to a poor and unstructured family.

This documentary takes us on a ride through Marginal Tietê, an important avenue in São Paulo, Brazil, then recently opened to the public. The places it crosses and the people living nearby force the viewer to think about the core of this big city.

On the way back from the swimming practice, Janaina is violently approached by the police. Safe back home, she differently faces her relationship with her father Julio, who’s a policeman.

On the back staircases of a residential building, girls smoke hidden from their parents. They take off their clothes to prevent being denounced by the smell of smoke. Cora is 30 years old. She lives in the same building as the girls, and is stuck in an unhappy marriage. The woman catches the girls smoking. From then on, she begins her path towards freedom.

Image of a cinematic camera, described off by a female voice. Two students talk about film school. In a classroom, students stand up, one by one, attack and murder a classmate; the wallets fill up with corpses. A boy dances naked in front of a screen on which different images are projected. At the top of a platform, a man in a suit speaks to two naked young men who crawl across the floor. Two boys with clown makeup shed tears looking at the camera. Then they get in a car. Red spots explode and spread slowly across the screen.

"Do what you want because everything will be legal".

The soccer stadium Arena Corinthians was constructed in São Paulo’s Itaquera district, approximating the club structures to the biggest stronghold of its fans. Through filming the official tour at the arena and interviewing Corinthians soccer team supporters that live on its margins, the film shows the dubious relation that takes place between them.

The story of Freitas, a repressed and conservative family man, who has a tragic surprise on his birthday.

Upon returning home in the morning, Beatriz starts her perverse game with Alberto. Fábio's arrival, however, will show that the rules were much more intricate than they appeared to be.

In the late seventies, a group of Brazilian documentary filmmakers traveled to the ABC region in the suburbs of São Paulo with the purpose of recording a wave of worker strikes taking place in response to the negligence of the increasingly powerful and abusive automotive industry. Documenting striking women metal workers, Olga Futemma and Renato Tapajós’ Trabalhadoras Metalúrgicas is a particularly vigorous work among the films produced during this moment in São Paulo worker history. Scenes filmed during the first Congress of Metallurgical Women of São Bernardo and Diadema in 1978 are intercut with images documenting the appalling working conditions against which the women featured in the congress were striking.

Mixing new images to existing São Paulo movies takes, the documentary presents the city from the perspective of five main attributes: transformation, anonymity, crowd, precariousness and dimension.