Mythos Hollywood - Das Geheimnis des Erfolgs

Mythos Hollywood - Das Geheimnis des Erfolgs 1998

3.00

Ekchart Schmidt examines the machinery behind the dream factory; the Hollywood myth is unmasked. How does the studio industry work? What role does marketing and the hype surrounding the stars play?

1998

Männer im Trenchcoat, Frauen im Pelz

Männer im Trenchcoat, Frauen im Pelz 2004

1

Film noir, which enjoyed particular success in the 1930s and 1940s, is probably the most profound genre of classic Hollywood cinema. Eckhart Schmidt tries to show the background and developments and speaks, among others, with directors such as Richard Fleischer and Robert Wise as well as with "femme fatale" actresses. Filmmakers of the following generations explain how the style and themes of noir continue to shape cinema today.

2004

The Sandman

The Sandman 1993

3.00

Daniel and Clara are on a vacation in Italy. In the form of the mysterious "Sandman" Coppola, a figure from Daniel's childhood, returns to haunt him, while he succumbs to an obsessive love with an enigmatic woman of strange beauty: Olympia, who might be far more than she first appears to be...

1993

Internet Love

Internet Love 1998

10.00

Starting out as e-mail pen pals, Daniel and Laura soon fall in love. Only problem is that she lives in Germany and he lives in Los Angeles. When they finally arrange to meet in person, they discover that there is no chemistry between them.

1998

Sunset Boulevard - 27 Meilen Amerika

Sunset Boulevard - 27 Meilen Amerika 1997

1

Schmidt follows the 27 miles of the “street of life” to Pacific Palisades, where the boulevard ends at the ocean. While interviews with celebrities from show and film document the well-known glamorous side of Sunset Boulevard, Schmidt also witnesses the transformation in the wake of a gigantic investment boom

1997

Hollywood Dreamers

Hollywood Dreamers 1997

1

Aspiring actors and actresses talk about making it in Hollywood and how they perceive this world. Casting directors and filmmakers also share their perspectives.

1997