Bluey 2015
Bluey, an angry young woman trapped in a life of violence, meets a mystery mentor who could change everything. Bluey is a story of courage, heart and the fight for survival.
Bluey, an angry young woman trapped in a life of violence, meets a mystery mentor who could change everything. Bluey is a story of courage, heart and the fight for survival.
A portrait of an albino Aboriginal teenager, her feelings of alienation while at a convent boarding school, and her dreams of escape.
BREATHING UNDER WATER is the story of a woman's journey into an imaginary underworld city. The birth of her daughter into an increasingly perilous world has unsettled everything in Beatrice's (Anne Louise Lambert) life. Her growing unease prompts Beatrice to undertake a journey - an investigation into human nature, a confrontation with the fears of our time, and a search for clues that will ultimately give her an answer to the central riddle of the film: why has humankind set the stage for its own extinction? The director’s preoccupation with humankind’s tendency to self-destruct was one factor that lead to the creation of this complex film.
Four women bowlers on their way home to Pyramid Hill (population 550) from a tournament roll their car on a deserted road in rural Victoria. They are coping fairly well until the local men and emergency services start trying to help.
Fergal Devitt is an enigmatic Bray man who allows the cameras into his life showing us what it is like to be one of the biggest names in the bizarre and weird world of Japanese pro-wrestling. An exceptional story about a man following his boyhood dream.
In a future devastated by economic crisis, corruption, social inequality, and diseases, Tisha, an organ trafficker and hitwoman, will have to face her own demons.
An hour-long documentary on the life and career of actor David Gulpilil.
Crocodile Dreaming is a modern day supernatural myth about two estranged brothers, played by iconic Indigenous actors David Gulpill and Tom E. Lewis. Separated at birth, they have different fathers. One is readily accepted as a full-fledged member of the tribe and is looked on to fulfill the duties of jungaiy, an important ceremonial role which obliges him to be caretaker for his mother's dreaming, the crocodile totem. The other, whose father was white, is younger and has had to struggle to fit into the tribe who see him only as a yella fella.
On June 21 2007, the Howard Federal Government launched an intervention into Aboriginal communities in the Northern Territory. It was one of the most dramatic policy shifts in the history of Aboriginal affairs. Relentless media attention focuses on ideological arguments for and against the Intervention, while the voices of those affected by the policy are rarely heard. For this film more than 40 Alice Springs town camp residents were interviewed in depth over the course of eight months to find out the answer to the question - is it working?
Throughout history, the perception of nurses has ranged from wise women to witches, sots to ministering angels, handmaidens to battleaxes. The professional role of the nurse has changed dramatically. Originally the nurse held an independent, curative position in healing the sick. Most of this responsibility has since been lost. In its place, a profession has developed which, while demanding altruism and dedication, is locked into a supportive and secondary role to that of the medical profession.
CAMBODIA: THE PRINCE AND THE PROPHECY explores the years of Prince Norodom Sihanouk’s rule, his juggling for peace, his charisma and contradictions. Following the Prince’s overthrow in 1970, the film traces Cambodia’s destruction during the five years of war before Pol Pot’s Khmer Rouge came to power and launched their revolution… As a central theme, the film and its sequel CAMBODIA/KAMPUCHEA feature exclusive interviews with Prince Sihanouk, and focus on his pivotal role in shaping Cambodia’s fate.
The story of 95-year-old Aboriginal elder Laurie Baymarrwangga and her work to maintain the language and cultural traditions of the Yan-nhangu people of Murrungga.
The year is 1973. A reforming Labor government swept into power determined to change the direction of the country. In an act of unpredendented daring the Whitlam government paid the highest price ever for an American painting for it's planned National Gallery. The painting was Jackson Pollock's "Blue Poles". 'Drunks did it' screamed the tabloid press. Journalists, politicians and cartoonists had a field day, while everybody, but everybody, across the nation had an opinion. Today painter Jackson Pollock's masterpiece is unquestionably the most famous painting in Australia. It has become a symbol of our independence, signaling the departure from our British roots and entry into a brave new world.
A documentary about Australian animation pioneer Eric Porter’s work on the iconic Aeroplane Jelly animated promos of the 1940s and 1950s.
MARNI is a mesmerising marathon of colour and dot work is intercut with the majestic landscapes of the Pilbara to a journeying soundtrack. As she paints the audience will experience Allery telling them about herself and her art practice in Yindjibarndi language.
Follow Arnav, a six year old Southern Indian boy, as he explores his environment.
Documentary about "The Coolbaroo Club", which was the only Aboriginal-run dance club in a city which practiced unofficial apartheid. During its lifetime, the Club attracted Black musicians and celebrities from all over Australia and occasionally from overseas. Although best-remembered for the hugely popular Coolbaroo dances attended by hundreds of Aborigines and their white supporters, the "Coolbaroo League", founded by Club members, ran a newspaper and became an effective political organization, speaking out on issues of the day affecting Aboriginal people.
Loosely based on the filmmaker's personal experience, "Terra Nullius" is an impressionistic account of an eight year old Koori girl, Alice, growing up in a white adoptive family which denies her Aboriginality. The film examines how unacknowledged shame and fear passes from one generation to the next, from one culture to another. The last scene depicts a silent meeting between the young Alice and the adult Alice. In order to reclaim her life, Alice decides she must confront the pain and confusion of her childhood.
Ben Chifley (1885 – 1951) was a railway engine-driver who became Australia's best-loved Prime Minister in 1945. He was a politician from an Irish-Australian working class background who lived by principles of compassion and concern for his fellow Australians. His philosophy and example have never been more relevant than in the political arena of today. As Prime Minister and Treasurer, he had a profound effect on the path of Australian history following World War Two, and many advantages enjoyed in our society that we take for granted today are the product of his vision.
Habiba and Shah who, because of the wars fought in Afghanistan over the past 25 years, have experienced immense suffering, but who have survived to show how it is possible to be brave and moral in this world of sanctioned violence and lies. Shah, a former Mujaheddin soldier and land mine victim, works as a cobbler on the pavements of the ruined city of Kabul. One day, he noticed a pretty Tajik girl who had only one leg, and he began to court her. Amidst the chaos and violence, and despite all the obstacles of tradition and religion, Shah and Habiba were able to marry.