They are everywhere without us observing them. These ‘invisibles’ can only be seen on camera and only heard thanks to a microphone. Footage shot in public spaces shows people who seem non-existent to everyone else in the frame.
Somebody Should Do Something tells a story of insecurity and longing for freedom, of fear that drives people to poor choices. The main character, Elvis, falls for the new girl in class, Onerva. Seeking acceptance from his friends, Elvis lies and tells them he’s had sex with Onerva. Due to the lies and misunderstandings, the whole town is soon at a point where somebody should do something.
Digging up the memory of the Finnish Civil War in 1918, Grey Wolf tells a historical story with a modern twist. When Viktor Stark, a peaceful writer of the conservative Whites, finds a wounded enemy soldier hiding for his life, Stark’s values and loyalty are measured against each other. Will he choose a higher moral or otherness? The answer is revealed in the final scene that turns the whole world around. Grey Wolf is set in history, but truly, it tells about us.
A poetic horror drama about Irina, a young mother on the run from her poisonous relationship, and her grandmother who has her own wounds too.
Akira Takaki spends much of his time rewatching his childhood home videos. Although his father filmed some of them nearly 30 years ago, Akira still remembers his favourite scenes by heart. With a truly unique and playful approach, this film explores what happens to childhood memories when they’re brought into the present.
Janika takes advantage of her pregnancy by smuggling amphetamine from Tallinn to Helsinki with her brother.
Rebekka and Aatos, stuck in the past, meet for the first time since their painful breakup at their treasured poetry slam. It’s easier to sing about longing than to talk about it.
Nick Mayers, a music icon, comes to believe that he is the only real person around whom the world revolves. When Nick announces this belief and refuses to perform on the night of a big concert, he sees how quickly his world turns against him. His theory is put to a test as he tries to escape his world.
As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.
Story about 29-year-old Krisu, who is quite lost in her life. Luckily, she has a indie band called Wendy and the Refugee Neverland.
After her father's funeral, Maarit plans to return to Thailand. On the day of the departure, she finds her mother Sylvi and her father’s taxidermy badger in a bar and Sylvi makes a revelation that may change Maarit’s departure plans.
Sami directs a reality series but ends up as the main character.
Waste Land is a tragicomic ensemble film about a bunch of kids squatting an abandoned seaside hotel. The shabby hotel offers a life outside the society, at least momentarily. The house is more than a house – it is a utopian space for love, partying and freedom. But can the days of ease last when the squat is confronted both by outside forces and by internal conflicts?
It’s the past that defines you, Kari tells his therapy group. And indeed, after serving a lengthy prison sentence, he wants to become a better person. However, his former life as a ruthless debt collector catches up with him in a nightmarish way.
It's almost Christmas but these three people are still on the road. The products don't sell, the car is a wreck and the weather is freezing. Moreover there is a problem: how to cope with an emerging friendship?
Out into the big wide world as fast as possible. That’s Elli’s plan. But where should she get the money from, if not steal it? When Heze falls for her, she steals from him and both have to learn: “Adulthood is a big pain in the arse”.
The summer ahead is long and hot but the burden of shame from the past is haunting Joonas, 24, and driving him to solitude. A sudden phone call changes the direction of his summer and brings Joonas to an old manor for a summer job, forcing him to open up to his new workmates and to face his shame. Joonas works hard under the burning sun, driven by his past mistakes, whilst the others lounge under the calming shade of trees. On the last day the group loses track of time and misses the last bus home. They are left at the old manor and a magical midsummer night begins.
Ossi desperately wants to be accepted by the office ski fanatics to be seen as one of the guys. He grabs his skis and hits the trail. “No perkele” is a comedy short about expectations of being a man in Finland.
