Budapest Filmstúdió

In 1944 Budapest, one of a group of four friends poses a hypothetical moral question to the others, an act that will unexpectedly alter their lives forever.

This film, set at the beginning of the 17th century, is the first East-European "Eastern". Bocskai István orders the free Heyducks to shepherd a huge herd of cattle through the country torn to three parts, to the Dalmatian coast, where he can get weapons in exchange, for fighting the Austrians.

In the dense and murky woodlands of provincial Hungary, the search for a child murderer drags a once-respected detective into an all-consuming obsession enshrouded by irresolution and despair, even long after he has been taken off the case. What emerges is not a crime story, but a harrowing venture through the darkness of the human soul.

A father tries to deal with his troubled son who is involved in a hit-and-run accident.

The film director starts shooting his film about the manager of a large corporation who committed suicide for mysterious reasons. As the cumbersome process of making a film goes along, everybody involved in it starts having differing opinions of the tragedy, its causes and its victim.

A story of a mother who had to change her profession from a teacher to a high class prostitute to make a living.

The unskilled, jack-of-all-trades András and his wife, Éva are put in jail for serial work-place thefts, -committed in order to try to ensure a normal living standard for his family - and for aggravated assault committed for self-defence, respectively. Their two small children are put in state care, then given to foster parents. András, still in prison, commits everything to help the released Éva get hold of an apartment and get their children back so that when he will have served his term the family could be together again.

This story follows a young student, who is orphaned as she grows to adulthood in the shadow of the 1956 Hungarian uprising. Coming from the Communist intelligentsia, she sees her friends and family react differently. Her lover, a married factory manager, supports the patriots and later assists fellow workers in staging a strike. Meanwhile her sister and others express anger at being forced from their homes during the revolution and continue to express a hatred for the rebels afterwards. But in the end they realize that for all people, real life is not possible after the revolt and its brutal suppression by the Soviets and their collaborators.

On one hot summer night, the residents of a Hungarian apartment house slated for demolition restlessly revisit their haunted pasts as they face an uncertain future. In a gently turning kaleidoscope of dream imagery, regret-laden nostalgia and painstakingly intimate detail, the looming wrecking ball pales in significance to the accumulated experiences each dreamer revisits. Pre-war prejudice, occupying Nazis and Stalinist deprivations all come and go as each tenant’s backward glance yields moments of aching sensuality, infectious exuberance and catastrophic loss.

A young doctor undergoes a spiritual crisis when he returns to his rural home.

A divorced young math teacher is tormented by her high school students.

The opera-film, as opposed to Gluck's Vienna version, is a recollection of the ancient tragic Greek myth. Orpheus, who is able to defeat Hades with the power of art, is unable to conquer his own human defects. Amor is sympathetic to Orpheus' sufferings as he mourns his dead beloved, and lets him know the message sent by the Gods, namely that he may take her home from the underworld if he is capable of not looking at her.

Turn-of-the-century Hungary. Two young brothers, neglected by their cold and uncaring mother, descend deeper and deeper into psychosis, with tragic consequences.

Six physical workers, once working for Videoton, decide to come together and create a company on their own.

It is 1989, the year of the demise of socialism in eastern Europe. Nevertheless, the one theme of Junk Movie does not refer to this historical moment of high ideals, quite the contrary, the wild, burlesque of a motif-mozaic seems merely to stick it’s tongue out at the arrogant players of politics who have their heads stuck in the clouds. The film rudely points out the mystery and unapproachability surrounding the every-day existence of politics. The scene is a greasy, falling-down block of a pub called the Gólya and its immediate surroundings.

A woman and her lover plot to kill her older husband.

A coming of age story about a young boy spending his summer vacation in the village.

A Budapest high school in the beginning of the 1960s. Dini suffers the torments of adolescence. His father had to leave Hungary after the uprise in 1956, and since then Dini's mother has had to take care of her two sons on her own. A friend of Dini’s father, Bodor, is released from prison and moves in with them. Dini and his brother are far from happy about this intrusion on their family life.

Blondie and Árpi love each other very much. She is a hairdresser, he is a confectioner. Blondie's parents are divorced and she lives with her grandmother. Árpi loves her parents, but has long been angry with her brother-in-law, whom she knows to be keeping a mistress. Pista turns the parents against Árpi, and after a quarrel, the boy decides to leave home. Then he has an even better idea: marry Blondie. She is just as much of a hebrensch, so she insists on marriage. It's summer, and the Árpi's move to their summer cottage on the top of the hill. But they are unprepared for independence, and so they have a series of conflicts. They quarrel badly, and Blondie moves back home. To Arpi's surprise, her father persuades her to make up with him. Blondie sulks at first, but her lover overcomes her resentment. They try again, together.

Iván Berend is a nobleman from the countryside, owner of considerable wealth. If necessary, he duels and plays cards like his fellow gentry, if necessary, he dances and compliments like most cavaliers. But far from him is this high life. He prefers to lecture on natural history, and does not hesitate to prove his claims by burning a diamond. He runs the Bondavar mine and experiments on a fire extinguishing agent. Evila, the beautiful starlet, and her impetuous fiancé, Peter Szaffrán, work in the mine. They are hired by the Viennese banker Félix Kaulmann to help him with his grand plan for the coal basin, which will ruin Ivan Berend.