Instituto Português da Arte Cinematográfica e Audiovisual

Lisbon, 1938. Mr. Pereira is the editor of the culture section of an evening paper. Although fascism is on the rise in Europe, like in nearby civil war Spain or even inside Portugal itself in the form of Salazar's regime, Pereira only concerns himself with writing bios and translating French novels. Things change after he hires a young writer as his assistant, getting to know also his girlfriend – both opponents to the regime – and reluctantly helps them when they begin to get in trouble for subversive activities. Eventually, he's forced to take a stand...

After a suicidal teenage girl gives birth, she misguidedly entrusts her baby’s safety to the troubled, deadbeat father, whose violent actions take the viewer on a tour of the foreboding, crumbling shantytown in which they live.

Free adaptation of Machado de Assis' classic. The narrator is a rich dead man, who tells us about his life and times, making fun of both.

An anthology film drama featuring a poetic mirror structure based on existential identity. In "The Immortals," adapted from a Helder Prista Monteiro play, two famous doctors, an 80-year-old father, and his 60-year-old son, contemplate senility and death. "Suzy," from an Antonio Patricio story, is set in the '30s when a young courtesan dies on the operating table. "Mother of the River" is from an Agustina Bessa-Luis fable about eternal life.

An unflinching, fragmentary look at a handful of self-destructive, marginalized people, but taking as main focus the heroin-addicted Vanda Duarte.

Five women, all in their forties, try to find out what's important for them in life.

Carolina, an aging local grande dame who works at a crossing point on the titular river, marries another late-in-life character, the dredging-boat operator Antonio. Not long after their union, she becomes intensely jealous of Antonio's fondness for their winsome goddaughter, Joana, and insinuates herself into a relationship brewing between Joana and a mystical gypsy gold salesman. Soon, tempers are flaring, mystical secrets are being revealed and death is hovering over the central characters.

Father António is a priest by vocation, committed and generous, dear people of Vila Daires a quiet village of the north. But Father António is also a man, and Vila Daires is not as peaceful as it seems. The good intentions of the Father will not be sufficient to halt the worsening of the conflict. And when your fate intersects with Lena, the "black sheep" of the village, Father will also be forced to confront his own demons. Especially with those who never even thought that could exist.

Gloria is set against the backdrop of a rural landscape slowly disappearing in modern Portugal. The small border town of Vila de Santiago, once a booming trade center for illegal trafficking, is about to become a ghost town, as a new motorway is to bypass the city and the railway station is being closed. Its stationmaster, Vincente, is preparing to retire. Many young people have moved out, leaving the children to be brought up by the elderly, including thirteen-year-old Glória and her friend Ivan. Glória's life suddenly changes with the arrival of Vincente's younger brother, Mauro, who has just come out of prison and has some old issues to settle. Mauro begins to charge around the station on his motorbike, while Glória's friendship with Ivan is put to test on account of her attraction to older Mauro.

For a 13-year-old boy like Filipe, the prospect of a summer vacation in the Azores with his father is like a dream come true. But dreams are sometimes just a way to avoid facing reality.

Two simple, unassuming, apolitical men have their lives changed forever when they find themselves hunted by agents of the ruling dictatorship.

Ana Catarina returns from Brazil with her father and her nanny to marry a man she doesn't know and doesn't like. A terrible coincidence happens when, on the same day, the young woman becomes a widow and an orphan, a fact that leaves her heir to an incalculable fortune and coveted by all the aristocrats in the region.

The film is set in Lisbon, and tells the story of a day in the life of Rita and Paulo, a Portuguese young couple of the 90's. The fast changing city around them makes them wish to break with all traditions and live the day the get married (only civil marriage) like it is an ordinary day.

A dream girl can cause a lot of insomnia. That's what happens to Daniel Bricks, a young british engineer, working temporarily at the construction works of the 25th of April bridge, in Lisbon, Portugal. At the request of a friend, Daniel heads down south to make an inspection on a water dam. That's where he finds Carolina, the woman of his dreams. What he doesn't know is that she just got out of jail a few hours back, and that she will turn his life into a real nightmare. A romance comedy, where the nightmares are sweeter than dreams.

Cape Verde, 1964. At the feet of a mighty volcano, the traditional Cape Verdean society is undergoing a steady change. The old land-owning aristocracy is disintegrating. A class of "mulattos" begins to emerge, with a trade-based financial power that threatens the landlords. A new identity arises, a mix of old and new, of African and Portuguese culture, sensual and dynamic. The songs of Cesária Évora follow this inevitable transformation. From the novel by Henrique Teixeira de Sousa.

The film presents us with a reflection on the Spanish Civil War in the Portuguese society, At a time when Salazar ruled.

Tó, a black boy from Zona J, a tough neighborhood in Lisbon, falls in love with a white girl, Carla. Tó dreams of living in Angola and taking Carla with him. However, the reality the two teens are in complicates their plans...

Arthur is a history teacher who lives alone in Paris after having broken up with Claire. He is a sensitive man, full of existential doubts and questions. He has to go to Lisbon to meet an eminent historian whose work is the subject of his thesis. Having just made up with Claire, he decides to take her along. She's an ideal travel companion and it seems their relationship has not yet exhausted its potential. But moving from Lisbon to Oporto, their fantasy of a second honeymoon clashes with the reality of a world on the verge of a nightmare.

Young Jesus is taken on a vacation by his parents (Rita Blanco, Adriano Luz) to a deserted beach resort. They accidentally fall into overnight wealth after Jesus digs in the sand, uncovering a large drug stash. Others characters intersecting here include an alcoholic actress, a philandering banker, a general trafficking in arms, priests who close their church and head north as hitchhikers, politicians who watch an all-girl production of Julius Caesar, and beggars who recite a children's story in a huge heap of trash.