Projektions-AG Union

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

The tragic story of Don Jose, a Spanish cavalryman, who falls under the spell of a gypsy girl, Carmen, who treats him with both love and contempt and leads him into temptation and thus damnation.

The story of the ill-fated second wife of the English king Henry VIII, whose marriage to the Henry led to momentous political and religious turmoil in England.

A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.

The misadventures of an effete young man who must get married in order to inherit a fortune. He opts to purchase a remarkably lifelike doll and marry it instead, not realizing that the doll is actually the puppet-maker’s flesh-and-blood daughter in disguise.

The favorite slave girl of a tyrannical sheik falls in love with a cloth merchant. Meanwhile, a hunchback clown suffers unrequited love for a traveling dancer who wants to join the harem.

A teenage tomboy, tired of being bossed around by her strict guardian, impersonates a man so she can have more fun. She quickly discovers that being the opposite sex isn’t as easy as she had hoped for. What ensues is a gender-bending comedy decades ahead of its time.

The Woman at the Crossroads (German: Kreuzigt sie!) is a 1919 German silent film directed by Georg Jacoby and starring Pola Negri, Harry Liedtke and Albert Patry.[1] It is now believed to be a lost film.

A pampered American oyster tycoon decides to buy a husband for his daughter, but things don’t go quite as planned. Along the way there are mishaps, misunderstandings and a foxtrot sequence that must be seen to be believed.

The story of Madame du Barry, the mistress of Louis XV of France, and her loves in the time of the French revolution.

In 19th century Paris a hedonistic woman marries an aristocrat but has trouble keeping faithful to him.

Because Ernst feels oppressed by his wife and her mother, he fakes his suicide and hires in his own household disguised as a servant.

Egyptians Radu and Ma milk British tourists out of their money by offering phony tours of a mummy's tomb-- Radu has the girl lend her eyes to the "mummy" from inside an empty sarcophagus. When adventurer Wendland comes to visit the tomb, Ma is rescued and falls in love with him, leaving Radu in the dust. Needless to say, her former employer / captor follows them abroad in order to exact his revenge.

Nelly's mother is a suffragette and persuades her daughter to join the good cause. Placing a bomb under Lord William's chair love develops between the two.

Sally Meyer, a young Berliner, persuades his Doctor to convince his wife that he is ill, so that he is able to take a holiday in the Austrian Alps in order to pursue women. Meyer dresses up in what he considers Tyrolean attire. However, he mistakenly travels to the Bavarian Alps rather than Austria. Meyer becomes infatuated with Kitty, a young, attractive woman at the hotel where he is staying. His pursuit of her angers many of her other suitors who are also staying at the hotel. In order to impress Kitty, Meyer agrees rather reluctantly to climb Mount Watzmann. While they are approaching the summit, both Meyer's wife and Kitty's fiancee unexepectedly arrive from Berlin.

The circus dancer Lulu is a thoroughly liberal being. Although she loves her former savior, the clown Alfredo, she begins a relationship with the noble Henri von Reithofen. Henri kills himself ruined by the horrendous expenses for Lulu. She however is fishing for the next rich patron, the much older Baron Waldheim. His son knows Lulu and warns his father that she will also hurt him. Waldheim succumbs to Lulus's insinuations and punishes his son.

Jonna cheats on her husband with a chauffeur and is discovered by her husband. After the divorce, she falls into a life of theft and poverty until her daughter helps her reconcile with her ex. This film is considered lost.

Max Reinhardt’s second and last silent film. It tells the story of two young girls (Cheerful & Shy) who, in order to escape their father’s authority, reaches an island of wonder filled with gods, nymphs, fauns and other creatures.

A neglected wife disguises herself in order to lure her wastrel husband into a compromising position.