Spain, 1982. Andrés Expósito, a young police inspector, accepts a posting in Denia, a small town on the Mediterranean coast, in the hope of leading a quieter life and that the natural environment will help improve the fragile health of his daughter; but once in his new post he becomes involved by chance in the investigation of the strange death of the inspector he has come to replace.
One weekend, after years without seeing each other, several friends, over whom hangs the shadow of a murky episode of the past, meet in a house in the mountains. During the first night, a strange incident takes place that leaves them isolated.
Lis is a teenager whose dream is to become a circus artist and leave her hometown, even if she knows that to do it she’ll have to fight her side against her parents. It’s summer and she spends her days playing with her friends and flirting with her boyfriend, a few years older than herself. The lack of privacy and the neighbours’ gossip force Lis to keep their relationship secret so that her parents won’t find out. A relationship which change her live forever.
Constantinople, 1401. The emperor of Byzantium asks the famous knight Tirant lo Blanc to free the city from the siege of the Turks. After his victory, Tirant will have to face a more difficult task: to overcome the natural opposition of Carmesina, heiress to the Ottoman Empire, to surrender her most precious treasure.
Sister Marina, a very unorthodox nun, is sent during the summer of 1994 to El Parral, a boarding school for boys threatened to be closed soon. Even though the kids welcome Marina with all kinds of pranks, they will, little by little, become something very close to the family they never had.
How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.
Joaquin comes back to Granada in the eighties trying to find out about something happened when he was a child and the Spanish Civil War was going on. He helped an unknown man who survived after being executed. He finds the man, Galapago, who is now quite old, poor and with almost no memory. Joaquin takes care of him and finds hints that point to Galapago as Federico García Lorca.
Lucas just lost his father and everything around him is starting to crumble. One day he meets Alvaro, who offers him money in exchange for some innocent pictures. Álvaro will use them to create fake accounts in social media to “just talk”, he assures, with underage girls. Desperate for money, Lucas takes the deal.
Adolescent Hector faces a major lifestyle change after moving into his aunt's flat in a blue-collar suburb of Madrid.
Every night, when the museum closes its doors, the mironins, Blu, Low and Ro, three little drops of paint that live in the paintings created by the Spanish painter Joan Miró (1893-1983), come to life and immerse themselves in an inexhaustible universe where art and imagination reign.
Óscar Peyrou is a veteran Spanish film critic who writes his reviews according to a very peculiar method: in his opinion, it is not really necessary to watch the films since it is possible to judge them simply by looking at their promotional poster.
The life story of Vicente Miguel Carceller (1890-1940), a Spanish editor committed to freedom who, through his weekly magazine La Traca, connected with the common people while maintaining a dangerous pulse with the powerful.
