Deutsche Film- und Fernsehakademie Berlin (DFFB)

Anishoara is a 15-year old girl living with her grandfather and little brother in a small village among the rolling green hills of Moldova. Her life is marked by the quotidian rhythms of country life; in summer she feels the overwhelming sensation of first love when on a trip with friends to the melon harvest. In autumn a strange German tourist disrupts her otherwise calm existence.  In winter she travels for the first time to the sea alongside the young man with whom she fell in love. In spring she longs for her lover's return, but when that moment comes it's not what she expected.

In the 15th century, a young goatherd living alone in a mountain hut feels a dark presence in the woods.

Martin leaves his protective parents’ home and comes to Berlin as a law student with high hopes. He finds a tiny, run-down flat in a strange, dark apartment block, from which the previous tenant has disappeared without a trace. Having no luck with social contacts at the university, Martin quickly falls for his mysterious landlady Simone, who lives just next door behind a thin wall. Hoping to find trust and intimacy, Martin loses himself in the house’s disturbing world of sex and violence. Deep in the walls, Martin discovers the true horror of his first love.

Jakob, a young policeman from a remote village, has his world unhinged when a stranger in a dress emerges from the forest and begins killing villagers with a sword.

In the Georgian riverside town of Kutaisi, summertime romance and World Cup fever are in the air. After a pair of chance encounters, pharmacist Lisa and soccer player Giorgi find their plans for a date undone when they both awaken magically transformed with no way to recognize each other.

17-year old Sarah, filled with adolescent angst, is an extreme person who in her rehearsals with a theatre group is transformed until she is almost in a trance, and her performances at home or elsewhere verge on excess. A cold, intellectual father, a timid mother, a younger sister and an older brother who has left home complete the picture: a silent time bomb.

Real estate agent Christian travels the countryside scouting for investment prospects. In a forgotten, seemingly abandoned village far off the main roads, he finds more than he is looking for. Getting entangled in an encounter with a taciturn teenage farmhand, he confronts his sexual frustrations and, in the process, gets drawn into the undergrowth of a bloodthirsty rustic community.

A film inspired by one of Germany's most visited blogs. The author of the site www.notesofberlin.com, Joab Nist, posts pictures of real announcements, notes, information that people leave in the streets of Berlin. The film follows 15 genuine notes and protagonists. The result is 15 funny, tragic, fascinating episodes about people and the city they live in. Twenty-four hours from the life of the city. The story begins with a note attached to a street lamp, with the message “For one minute please just stand here in silence, look at the sky and contemplate how amazing life is”. Is it possible that only a very drunk young man notices the text and looks upwards? An extraordinary mood picture of present-day Berlin and a declaration of love for the city.

A young photographer has fallen in love with his girlfriend's sister. Nobody knows quite what to do. A stylish variation on the problems of triolism made with striking stability of style and a great feeling for mise-en-scène.

Kesse (Pascale Numan) loves nothing more than May (Sira-Anna Fasl) and skateboarding. Everything changes when Kesse accidentally pushes May's annoying little brother Pepe (Lasse Berg) off a wall to his death. Excluded from the skate crew, Kesse tries to navigate back to everyday life while May and her mother Sheila (Melika Foroutan) grieve and cut off contact. Kesse finds themself caught between the guilt that needs to go somewhere and the fear of no longer belonging.

A girl roams through the city looking for a place to sleep. Along the way she meets young mothers who celebrate motherhood religiously, goes home with an abstinent existentialist for whom sex is “just another market”, and waits for the end of capitalism in a drag bar. Her attempt to write a book doesn’t make it beyond the first sentence of the second chapter, and she finds no space between art galleries, yoga studios and the beds of strangers. Instead of trying to fit in, she starts regarding her depression as a political issue.

It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.

Gölge, which means “shadow” in Turkish, is the name of a teenage girl. Gölge is the daughter of Turkish immigrants and belongs to the so-called “second generation” at the end of the 1970s. She lives with her younger sister and her parents in a small two-room apartment in Berlin-Kreuzberg.

After many years apart, Emilie meets her brother Jakob again. She not only shares her sadness about the loss of their parents with him, but also a secret...

Melanie loses her entire family in a devastating arson attack. Overwhelmed by grief, she lives the day without direction, unable to find a way to heal herself. But when she meets the pregnant Katrin, she finds new hope.

The mysteriously familiar face of a deceased young woman shakes young surgeon Fabian out of his lethargy. On a whim, he leaves Berlin for Portugal, determined to win back his former girlfriend Doro, who works at an architectural company in Lisbon.

The film is set in a modern day 'Berlin Republic' liberated from all irrelevancies. It's about artistic production, the creative industries and above all film and cinema - a political manifesto in feature film format. It centres on Asta, tough, hardened by theory and immaculately styled right down to the emblems on her leather jacket, with current art scene jargon flowing elegantly from her lips.

A surreal trip into the world of an extremely long german word.

When Martin, a former GDR citizen, is released from jail, he lately becomes confronted with the consequences of the German re-unification.

Thomas is trapped in a loveless relationship, even though he has already fallen in love again, Anton can't manage to introduce his boyfriend to his parents, who have their own problems, and after a party they all get together.