Two lovers try to die together in order to live forever. When they die at the same time, neither of them will experience the loss of the other person. This is the only time in their lives when they will never experience the inevitable loss of their lover, either by natural death or separation.
In a skate park teenage Charis tries desperately to convince his best friend to go talk to his crush, the hottest skater of the park. But Charis crosses the line and puts their friendship at risk.
Two friends, a boy and a girl, at the age of 16, decide to deal with the taboo of being naked.
In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.
Stamatis cannot get over his breakup with Katerina. He stays locked inside, until one night Katerina visits him with one purpose only: to get him out of the house.
Fast on his feet with a fat mustache, short stature, and investigative gaze. For a couple of days in the mountain, in his native land, we approach a man, strange and loud but nevertheless genuine and sensitive, a hunter. In his own way, Mr. Sotiris shines light on our bond with nature, history and man.
A haunting experimental stop-motion animation that reveals the violence of heteronormativity, gender and patriarchy on trans bodies. Erma, neutral: Principles or motives that guide one's behavior or actions. A film about gender, the body and all their intertwining moments in between. Through an abstract stop-motion / body horror narrative point of view it attempts to highlight the continuous process and struggle of the construction of gender subjectivity against the oppressive power of heteronormativity. From birth to death the error in the code of patriarchy is subjugated and resisted, emerging but also trapped by the erinyes of the social. With an ironic and critical mood and intense religious symbolism, Erma highlights the contradictions of gender composition both in the field of solitary subjectivity and in the dominant heteronormative narrative. Gender identity is a war waged in the trenches of the body.
A music documentary that invades and highlights the queer music community in Thessaloniki. Through conversations with the artists capétte and Demetria, concerns, personal searches and dreams are expressed, which go beyond the geographical space of Thessaloniki, and build a more rounded image around the representation of the LGBTI+ community in the music industry and in art.
A boy explores his grief and searches for peace, through a series of dreams guided by music.
A 10-year-old girl returns angry after a bazaar with her friends. On the way home, she finds an injured cat. While trying to take care of it, she has to confront her troubled relationship with her mother and her sister.
Afe lives with his father. There seem to be problems communication at home. Afe plays rugby in a local club. There seem to be communication problems with them his teammates. Afe wants to prove he is good in front of his coach. They seem to exist communication problems between them. Afe is struggling to maintain his composure.
A trip to the creating of the theatrical costume, starting from the first idea in the costume designer's mind, until the final construction by the dressmaker's hand. The film follows the set up of the exhibition "Traces of ephemeral", coordinated by Ioulia Stavridou for the National Theater of Northern Greece. By her students to her memory.
A discussion about the male gaze.
Nikos, a low-key man, works as an assistant accountant in an insurance company that is facing financial problems. The main accountant of the company and his superior, Mr. Alexandridis, is a demanding and rude man, who takes advantage of Nikos and his slavery. When one night, Nikos accidentally sees two men threatening Mr. Alexandrides on the street, the balance in Nikos' life changes.
The short film "dollhouse" was completed exclusively through editing preexisted images and sounds, which have been picked up mostly by narrative and documentary films and YouTube videos, such as music videos, recordings of plastic surgeries and reportages, while the audio file was constructed heavily from industrial sounds. Its central theme concerns the predetermined beauty standards which are imposed by the western society on women. A fundamental aesthetic and thematic purpose of the film is the provocation of intense, disturbing and shocking feelings through the graphic images, the inconvenient sounds and the audiovisual repetitions.
Best friends from college, Elli, Natasha, and Joe are spending their last weekend together on a getaway at Elli’s summerhouse. Natasha and Jo are leaving to study abroad, something that makes Elli emotional, since she feels that she is being left behind.
In the documentary "Rhythms of the City" we follow a group of parkour athletes over a period of a few days and through this the culture of parkour in Thessaloniki is presented, the daily routine of the trainings they do, the points or "spots" they do, various opinions and explanations through interviews and of course, crazy tricks. This project aims to bring the everyday person closer to parkour and develop a good level of familiarity between the public and this sport.
Angelos, Tilemachos and Efi just finished their final high school exams. University life is ahead and they spend their last summer in their small hometown. Then Angelos starts seeing a dark figure of a motorcyclist. He’s unable to express this to his father and his friends as he has to face his past to finally move on.
A person, in the case of "Iphigenia" a girl, sacrifices part or even her whole ego to become a member of a new social ensemble and specifically of the social ensemble of her future husband. The film is inspired by the theater of the absurd and mainly by theatrical texts by Ionesco and Pinter but also by the original myth of Iphigenia which symbolizes sacrifice.
Nina knows why her grandfather hates her – obviously because she’s a lesbian. Time to come clean. In the weirdest car ride of their lives, Nina and Stathis will have to finally talk to each other whether they like it or not.
