Les Films Hatari

The story of a family and an exploration of space in an increasingly crowded world. It follows the quest for a sexual odyssey of an individual.

A young woman moves to Paris and has a brush with disaster. Grown-up at last, an accomplished woman thought she was safe from her own past. Gradually, these characters come together to form a single heroine.

January 2016. The love story that brought me to this village in Alsace where I live ended six months ago. At 45, I am now alone, without a car, a job or any real prospects, surrounded by luxuriant nature, the proximity of which is not enough to calm the deep distress into which I am plunged. I am lost and I watch four to five films a day. I decide to record this stagnation, not by picking up a camera but by editing shots from the stream of films I watch.

A young woman tries to adjust to freedom after she spends eight years as a prisoner to a strange man.

Philippe is a singer and in the existence of a singer, there are times when everything accelerates especially when a crazy groupie, neglected parents, a lunar ornithologist and a tough childhood friend strive to complicate the life... How to get out ?

Marta, a 17-year-old girl, is on holiday in an African resort with her with her estranged dad and annoying little brother. Martha’s fascination for Khouma, a Senegalese cameraman who works filming the tourists' excursions, will add even more tension to her already troubled relationship with her father.

A home-guard serviceman assigned the task of standing watch over a barren no-man's-land begins to experience an existential crisis after years of lonely service.

Before he marries his current girlfriend, eccentric speech therapist Richard (Serge Bozon) asks his friend Raphael (Mods star Laurent Lacotte) to help him destroy photos kept by his ex-girlfriend, Mademoiselle Dornet, as a record of their relationship. Raphael in turn enlists an actor (Laurent Le Doyen) to pose as a Turkish doctor and convince Dornet that she must rid herself of the photos in order to cure her depression.

The Senegal River forms the national border between Mauritania and Senegal. In 1989, war broke out between these countries, along and around the river. Both sides committed atrocities. Senegalese filmmaker Alassane Diago was just a young child at the time. Now he brings together his “Senegalese and Mauritanian family,” all victims or witnesses of the bloodbath, so they can talk in detail about their traumatic experiences. He wants to find the truth, and to bring about reconciliation. Why did they slaughter each other, and why were so many people “deported”? Was there systemic racism involved, under the white and Arab elite? Was it a case of ethnic cleansing?

Sent to Afghanistan for 6 months, legionnaires Markov and Hamilton are caught in an ambush during an unauthorized expedition. Markov saves Hamilton, seriously wounded by rebel fire, but leaves the Legion without honors. Once back in Paris, Hamilton, convalescing, hopes to remain a legionnaire, while Markov, now a civilian and without working papers, tries to make ends meet with his son Khadji. Hamilton lends his identity to his Chechen friend, so that he can work legally. But one day, Markov disappears, leaving Hamiltion disorientated and Khadji alone in the world.

More young cinephiles in part three of Skorecki's three part film.

Where we learn how Orpheus seduced Eurydice.

Isabelle teaches, Bruno steals. Together, they start believing that could be happy. The day when the police net starts tightening, Bruno fleesm taking Isabelle with him. Deep within the forest, they hide and love each other, outside of time, in a final attempt to hold at bay the world's violence.

Famous educator Fernand Deligny tries to find ways to communicate beyond language with troubled and autistic children in his care.

Bruno and Céline, both mentally handicapped, live in perfect harmony in a market garden. Their daily lives are turned upside down when Lucie joins the team of educators.

A dream walk through the United States of America; a meditation on the thoughts and ideals of its inhabitants, as they are exposed in their silent but eloquent home movies.

The French-Italian border at the Montgenèvre pass. Daytime reality: tourism, capital invested to make the mountain profitable. At night: the fragile destiny of more than ten thousand men, women and children who, in four years, risked their lives to cross the border.

The portrait of a self-taught man.

Both unchanging and multiform, between heaven and earth, all the shades of light, from dawn till dusk, gleam on the entangled roofs of a city with no name.