Sota Cinema Group

Against the tumultuous backdrop of Iran's 1953 CIA-backed coup d'état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship.

Georgy is driving a load of freight into Russia when, after an unpleasant encounter with the police at a border crossing, he finds himself giving a lift to a strange old man with disturbing stories about his younger days in the Army. After next picking up a young woman who works as a prostitute and is wary of the territory, Georgy finds himself lost, and despite asking some homeless men for help, he’s less sure than he was before of how to make his way back where he belongs. As brutal images of violence and alienation cross the screen, Georgy’s odyssey becomes darker and more desperate until it reaches an unexpected conclusion.

It is a story about the Soviet worker Pyotr and the German engineer Hans, who came to the USSR before the war on a business trip. At a Soviet plant the German team works in cooperation with Russian specialists. Once Hans makes a mistake which causes the explosion of the furnace and human losses. Hans finds himself at the mercy of Pyotr, the only witness to his actions near the furnace. Pyotr also depends on Hans, because Pyotr’s very presence near the furnace entails accusation of subversive actions and a death sentence. Mutual suspicion gives way to silent sympathy and later friendship. They even look like each other, both have small children. Pyotr secretly leaves the town with his family but Hans feels loss rather that relief at the disappearance of the embarrassing witness.

A group of friends and bandmates look to escape from the Chernobyl disaster.

The events of the film take place in the Soviet Union in the early 1980s. It is forbidden to listen to foreign radio stations, it is not safe to voice one’s opinions in front of strangers. Words of truth are spoken only in private kitchens behind the curtained windows. The KGB tap phones, survey the ‘unreliable’ and consistently step by step destroy all forms of decent. The protagonists challenge the inhumane state machine, putting on stake their very lives and proving that nothing and nobody can stop a person who is on his way to achieve a true freedom.

The war, which destroyed the illusion of the superiority of art, provoked the actor to a total reassessment of values and made him think about the true meaning of life. What are art and culture and what is their true role if they do not influence the mentality of those who brought evil and death to our country? What will the fame, rewards and success be like when you get off the pedestal?

A woman is paid a surprise visit by her long-forgotten classmate, who needs her advice: should he choose a wife or a lover? An outrageously burlesque mise-en-scène is repeated many times but each time in a different place and performed by new actors. Why?

Famous Ukrainian actor Oleksandr Pecherytsia, who was supposed to go on tour to Lviv on February 24 with the play “Stolen Happiness”, instead took up arms and went to defend Ukraine in the Kharkiv region. During his rotations and vacations, Oleksandr played in the theater, gave concerts, studied to become a military psychologist, and tried to communicate with his young son as often as possible. Over time, he began to feel a certain duality in his life: the world of war and the world of art, to which he equally belonged, could not coexist in one person; an empty house and short moments with his son only reminded him of the happy times when his family was close; uncertainty about the future of his career, family, country and the inability to influence anything made Oleksandr think about the question “what is the purpose of life for me now?”

A father takes his sons out on an ice fishing trip. The younger one is happy to spend time with his dad, while the older one keeps a deep resentment towards his father, who once abandoned the family. At one point, the trip turns into a challenge in which everyone faces a difficult choice.

Two young orphan siblings travel to Moscow in search of their missing father. Scared of being separated and sent to orphanages, they hope to reunite with the last link of their shattered family.

The entrance to a residential building in Uspenska Street in Odesa, where the famous Ukrainian film director Kira Muratova once lived, is now adorned with wall paintings, featuring cats, dogs, and whimsical plants. The walls were painted by Muratova's husband, screenwriter and production designer Yevhen Holubenko. However, the artist, whose name is well-known among art connoisseurs, usually doesn’t paint in apartment building entrances.

Anthology film about the war in Ukraine, with animals as the main heroes. Recognized Ukrainian and foreign directors will tell insightful stories based on real events and show the trials that animals in Ukraine have to endure during war. Unlike us, animals don't have to take a test of humanity and they don't have political preferences, but they can clearly distinguish between good and evil.

Love story of the student of Ivanna and Mark, the son of the governor. Mark has a brilliant future - studying in a prestigious Western university, provided a bride. His concern is choosing a car brand in which club to spend the evening with the same snobs and cynics from wealthy families. Ivanna is emotional, unpredictable, she is not indifferent to not only her future but also the future of her country. She broke into Mark's life with an orange swirl and changed him in minutes. They are not alike, they even speak different languages, but the main thing now is love.

This celebrated director's "exquisite cruelty" appears front and center when the death of a stage actor turns a theatrical drama into a real one. Two in One's two parts, "Stagehands" and "Woman of a Lifetime," celebrate the psychological richness that lurks just beneath the surface of banal reality - if murderous stagehands, lascivious fathers and vengeful daughters can be described as banal.