Louis B. Mayer Productions

Believing she's responsible for the death of her would-be seducer, a young woman flees to North Vancouver.

A silent film drama based on the Broadway play of the same name by James Forbes..

A Spanish soldier seduces and falls in love with the young wife of a smuggler.

A woman abandons her husband and baby to look for a better life in the big city. Years later, as an elderly woman, she finds her son living in the big city and tries to make amends by moving in with him without revealing her secret identity.

A young girl living a secluded and unsophisticated life is suddenly thrust into a great wealth and a frightening social whirl.

Elliot Worthington falls in love with Myra, the maid in his sister's household. Myra is dismissed; Elliot finds her, proposes marriage, and returns home with his new bride. She is snubbed by his relatives and shocked by the hypocrisy of his wealthy friends. Disillusioned, she runs away: Elliot follows and saves her from being hit by a train when her foot gets caught in a switch.

Gritzko, a prince of pre-World War I Russia, is the ultimate ladies' man. Women fall at his feet -- all except for a young but cold British widow, Tamara Loraine. While she's spurning his advances, Tamara is growing ever more fascinated with Gritzko.

Mary is marrying Jimmie, from whom she has kept a secret; Mary remains in love with another man. Problems ensue, jeopardizing the tranquility of their relationship.

Hilda and Berta Nordstrom, although identical in appearance, are opposites in temperament. Berta weds naval engineer Robert Hallowell, deserts him in Europe, and travels to the Orient in search of the gay life where she becomes a notorious courtesan known as The Yellow Typhoon.

When Rosamond, a convent girl, discovers that her mother is Baby Brabant, a notorious queen of Petworth's gambling house, her ideals are shattered and she denounces her mother's life.

John and Irene Emerson's marriage begins well enough, but it is not long before John becomes less attentive. Feeling neglected, Irene spends more time with her girl friends, and John, consequently, falls prey to the vamping wiles of his secretary, Jean Ralston. When John comes home from the theater smelling of Jean's perfume, Irene procures a divorce; John then marries Jean.

Marie, a hotel maid, falls in love with millionaire's son Roger, but Roger cannot marry her because of her inferior station and his unwillingness to make his family unhappy thereby. They separate. When next they meet, Roger discovers that Marie is actually a princess. Now their renewed romance cannot continue because Roger is a mere commoner. But the Bolshevik revolution provides complication and at last resolution to their dilemma.

A young woman fights to keep her Wyoming sheep ranch from being overrun and destroyed by cattle ranchers.

Married for 22 years, Mary Emerson treats her husband, John, more like a son than a husband. He is stung by her rebuffs and, therefore, succumbs to the youthful charms of Gloria Sanderson, whom he meets on a business trip. But just after he mails a letter to Mary telling her that he will not return, John finds Gloria in the arms of her fiancé.

For Husbands and Lovers, John M Stahl pairs devoted wife Florence Vidor with ungrateful husband Lewis Stone for a splendidly nuanced marital comedy that proves his versatility as a filmmaker. When Vidor’s hausfrau transforms into an elegant lady of leisure with an expensive makeover, the quintessentially caddish Lew Cody takes lascivious notice but Stone can only grouse about the bill. A gentle rebuke of a husband’s bad manners and a salute to a wife’s sweet revenge, Husbands and Lovers was a favorite in the trade press. “Here is a comedy-drama that fairly scintillates with humor,” said Exhibitors News, “and then when the laugh is over, salty tears rush unbidden to the eyes. Chided by her husband, James, for not putting effort into her looks, Grace goes for a surprising makeover and lets James struggle to dress himself without her help. Her new look draws James' disdain and the eye of his best friend, Rex.

Harriet Field, living the Bohemian life in Greenwich Village, is tricked into a mock marriage with the unscrupulous Royal Blondin. She leaves him, taking a job as companion to the wealthy Nina Carter. Blondin reappears during a masquerade ball thrown by the Carters, makes advances to Nina but Harriet intervenes, bringing threats from Blondin to expose her past. When Nina’s faithless mother is killed in a car crash as she elopes with another man Richard Carter persuades Harriet to marry him for the sake of the children. She reveals all to her husband and Richard offers Blondin a hefty sum of money to stay out of Nina's life.

Jonathan Swift, stern Cape Cod businessman, has ambitions for his children, Emily and Noah, which are thwarted when they take romantic interests in Capt. Joe Cradlebow and Becky Keeler, respectively. Not realizing that Becky expects a child and has been promised marriage, Swift has Noah shanghaied, while Becky stows away on Cradlebow's vessel. There is a terrific storm; but Cradlebow rescues Noah, and the fleet returns safely to shore--thanks to lighthouse keeper Bijonah Keeler, Becky's father, who sets his house afire to give the sailors light. Realizing his foolishness Swift relents allowing his children marry whom they please.