Hegewald Film
Once I Loved a Girl in Vienna 1931
A musical about love that spans the period before and after the Great War in the Austro-Hungarian empire.
Der Meineidbauer 1926
Frauenarzt Dr. Schäfer 1928
The respected gynecologist Prof. Hausen is averse to performing abortions. In contrast, his up-and-coming colleague Dr. Schäfer sees abortion as a means of helping women in need and openly advocates an amendment of the law. The professor’s convictions are shaken when misfortune befalls his own family. Louise Fleck presents her drama about the untimeliness of restrictive abortion legislation against the backdrop of modern urban reality. Seriousness, however, is preserved, because topics such as unwanted pregnancy, sexual violence, and the consequences of improperly performed abortions are not only addressed through minor characters, but also placed at the center of the cinematic narrative. (Anna Dobringer)
The Happy Vagabonds 1928
Viennese hearts 1930
The Csikos Baroness 1930
People in Need 1925
Liebelei 1927
Film by Jacob and Luise Fleck.
The Volga Girl 1930
A love story between a simple peasant girl (Holt) and a dashing young officer (Sym), who however doesn't see more in her than a temporary affair.
The Right to Love 1930
With a script co-written by Weimar-era sexologist Magnus Hirschfeld, this enlightened drama deals with WWI soldiers who have become impotent due to wounds but still want to marry.
Schoeller's Boarding House 1930
Adaptation of a popular comedy: When the country uncle he has been bilking comes to town to visit, a young student takes him to a boarding house full of exaggerated eccentric characters.