Cinétévé

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.

For the past fifteen years, the acceleration of technological progress has lead to unthinkable feats. Allowing amputees to walk again thanks to a bionic prosthesis or having a job interview with a robot is no longer science fiction. Technology is everywhere. It governs our social interactions and even intrudes into our bodies. But how far are we willing to let our machines go? It is this recurring issue, at the origin of many utopian works, that is addressed in this movie by Philippe Borrel.

A fascinating insight into the role of the intimacy co-ordinator, told through behind-the-scenes access to new queer French TV show Split.

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

Portugal managed to get through all of World War II without firing a single shot. Caught in a vise between the Axis and the Allies, Antonio Salazar, the country’s strongman, used every trick in the book to get his country through unscathed. In this war of nerves in which anything went, the Portuguese dictator took brilliant advantage of the only weapon available to maintain his country’s independence: neutrality.

A man is caught in a storm of public rage when a 16-year-old girl mounts a social media campaign accusing him of murdering her father.

Philip Roth, arguably America’s greatest living novelist, turns 80 on March 19. In 1959, his collection of short stories, Goodbye, Columbus, put him on the map, and 10 years later his hilarious, ribald best-seller, Portnoy’s Complaint, gave rise to the first of many Roth-related controversies in which Judaism, sex, the role of women, and the parent-child relationship would take center stage. In candid interviews, the Pulitzer Prize-winner discusses his distinctly unliterary upbringing in Newark, NJ, his admiration for Saul Bellow and Bernard Malamud, and how Zuckerman may or may not be his alter-ego. Nathan Englander, Mia Farrow, Jonathan Franzen, and Martin Garbus are among those who talk about the man and his writing. Franzen in particular praises Roth for “how brave he must have been to have methodically offended everybody and to have exposed parts of himself no one had ever exposed before.”

This was a very human account of the lives and deaths of Marie Antoinette and Louis the XVI focusing primarily on Marie. It is an account of their lives from birth to death and the circumstances leading to the downfall of the French monarchy.

In a totalitarian future, in a nightmare metropolis, inhabited only by criminals and police, Erik Lonnrot, a gifted detective, investigates a series of strange murders and disappearances that seem to implicate a insane crime lord. (Re-released in 1996 as a feature film, 86 minutes.)

Three young soldiers who participated in a military operation that went wrong, and where one of their comrades had been killed before their eyes, are placed in a luxury hotel to prevent a scandal. Despite the help of a young military psychiatrist, the young trio denies any trauma suffered, but they seem to hold a very different secret truth.

Hired to oversee the security of a superstore, Pierre soon discovers a dark secret and becomes a threat to the system he helped create.

In January 1960, Yves Montand and Simone Signoret, one of the most famous star couples of the day, were on tour in the United States. Yves Montand had just triumphed on the country's biggest stages. Simone Signoret, who had distinguished herself in "Room at the Top", was about to win an Oscar. It was then that they met Arthur Miller, a writer and playwright but above all, at the time, the husband of Marilyn Monroe, a world star at the height of her fame and beauty. Yves Montand and Marilyn Monroe fell in love and the actress did everything she could to make a film with the Frenchman. This is how they met on the set of the film "Let's Make Love".