The Laughing Man

The Laughing Man 1966

6.80

Posing as West German journalists, East German documentary filmmakers Heynowski and Scheumann pay a visit to the notorious Nazi-turned-mercenary Siegfried “Kongo” Müller, pump him with booze, and get him to talk about his life and war campaigns in Africa.

1966

From Us To Me / Vom Wir zum Ich

From Us To Me / Vom Wir zum Ich 1988

8.00

This first co-production between the GDR and Great Britain is intended to contribute to an understanding of the situation and attitudes of millions of working people in opposing social orders. Using the example of shipyard workers, fishermen, the brigade and family of a trade union active cook and unemployed person of various ages and professions in Newcastle on the one hand and a brigade of crane operators of the Warnowwerft and fishermen of the Warnemünde cooperative on the other hand, insights into the way of life and attitudes of people of our time are to be conveyed.

1988

Paradise of the animals

Paradise of the animals 1979

1

On the 160-hectare grounds of the former Friedrichsfelde Palace Park, the Berlin Animal Park was established in the 1950s with the active support of the local population. In 1980, more than 7,800 animals from all continents live here. The film describes the foundation, the construction and the care of the animals in the extensive park.

1979

The Wall

The Wall 1990

5.25

A documentary about the deconstruction of the Berlin Wall which makes no use of vocal commentary but instead focuses on visual elements. From the Potsdamer Platz to the Brandenburg Gate, the camera captures the historic events from all sides and different angles: on the one hand there are news reporters and tourists from all over the world taking pictures, children selling pieces of the wall to passers-by, and people celebrating New Year's Eve, on the other we see abandoned subway stations and officials with blank looks on their faces.

1990

Who's Afraid of the Bogeyman

Who's Afraid of the Bogeyman 1989

1

Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.

1989

The Wind Rose

The Wind Rose 1957

5.00

An international anthology about the struggles of female workers around the world.

1957

Mädchen in Wittstock

Mädchen in Wittstock 1975

5.80

Wittstock an der Dosse is located in the German state Mark Brandenburg, apx. 90 kilometers from Berlin. Volker Koepp came into the town in 1974 to interview women and girls about their work in the textile industry, their spare-time occupations, about their thoughts and feelings.

1975

whisper & SHOUT

whisper & SHOUT 1988

7.00

Documents important parts of the East German rock music scene of the late 1980s, from well-established bands like Silly, to underground rock bands like Feeling B. This road movie features young people using music to express their take on life, opposition to their parents' generation and opinions on the social and political climate in East Germany. It includes clips from concerts and interviews with fans and members of various bands, such as Feeling B's Christian Lorenz and Paul Landers, now members of Rammstein.

1988

Bulky Trash

Bulky Trash 1991

1

In early summer 1989, Helke Misselwitz portrays young musicians in a band who produce their music on other people’s waste items. The four boys call themselves "Bulk Rubbish" and they drum out their resentment, having grown up on the new housing estates of East Berlin. A straight-up picture of the GDR youth is presented here, which in no way conforms to the official image. The film crew concentrates on the observation of the boy Enrico and his mother Erika: when the mother marries in the West, her son decides to stay in East Berlin, bidding her farewell at the border-crossing. Only shortly after, the tables are turned again: as the events in Berlin leading up to the fall of the Wall are practically captured live from the film crew, Enrico insists on maintaining his cultural identity, even after the fall of the Wall. The "Bulk Rubbish" musicians want to remain citizens of their own state and perceive the looming reunification with scepticism.

1991

Furnace Builders

Furnace Builders 1962

5.50

At the Eisenhüttenkombinat Ost an der Oder, a new blast furnace is being moved to replace a burnt-out one. 2000 tons have to be moved 18 meters: Three times we hear it in the commentary. Master Klaus is now in command. His orders are to be obeyed at all costs. Men at work: tense faces, examining hands, the sound of screeching winds and steel cables stretched to breaking point. Everything is going well, and it is a new best performance: The downtime of the plant has been reduced from 80 to 40 days, the commentary says.

1962

Immer bereit

Immer bereit 1950

10.00

Documentary (in colour) about the first youth meeting (Deutschlandtreffen der Jugend) in East Berlin in 1950.

1950

Lebensläufe - Die Geschichte der Kinder von Golzow in einzelnen Portraits

Lebensläufe - Die Geschichte der Kinder von Golzow in einzelnen Portraits 1981

6.20

A sequence of nine individual biographical sketches with a prologue and epilogue on Golzow and the long-term observation. Deepening of the preceding chronicle. The Golzow people in the present, from which retrospective views of the previous life and the life conflicts of the individual are given.

1981

The Winter's Tale

The Winter's Tale 1973

1

Leontes, king of Sicily, tries to convince his friend Polyxenes, king of Bohemia, to stay longer as his guest. But only Hermione, Leontes' wife, can talk Polyxenes into not leaving. Leontes gets suspicious. Is his wife having an affair with his friend? Leontes tries to find out about it...

1973

Der springende Punkt

Der springende Punkt 1987

1

Archive footage of bomb detonations during the Second World War combined with abstract graphic elements which show the destructive potential of modern nuclear missiles. Together the images are a silent warning of armament and war.

1987