It is time for the written examination. Everybody is waiting for the exact time to come where they can turn the paper and start the examination. All the tables are placed in lines in the assembly hall. Not a sound is being made and the atmosphere bears the marks of excitement, anticipation and nervousness.
12-year-old Martin finds the going tough. Manhood is approaching, but so far mostly as aches and pain. His mother's men friends are definitely nothing like the father he does not have. So some kind of male bonding is inevitable when he meets Funder, a juvenile droput on the run from the police. There is also girl-friend Rikke to consider. Who needs Martin the most? Coming of age isn't so easy.
The 76 year old Jenny Jespersen lives in Bovbjerg byt the west coast of Jutland in Denmark. She has a sober approach to life and a strong Christian faith. "A human with faith is like a bird without wings", she says. Poeticly the film shows Jenny and her everyday life on a farm with her bachelor son and all their habits. But it is also a portrait of a beautiful and special region shaped by rough weather and strong beliefs.
The boy Kim moves with his family from the countryside to a ghetto in a big city. He does not do too well in school, and that makes him an easy victim for the hard core bullies in the new school. When the group leader is moved to a private school, Kim is accepted in the gang - as long as he provides cigarettes for the other members. This of course leads to a confrontation with the school teachers, his family and eventually the gang members.
A drama-documentary film about the fatal effect of poor living conditions on health – the so-called "social inheritance." The principal characters in the film are two fourteen or fifteen-year-old children, Carl and Hanne. Covering a hundred-year period and drawing on case stories recorded by actual hospital staff, the film illustrates a number of variations of "the same old story."
A satirical presentation of the public school debate, exhibiting three different teaching methods. First, the authoritarian education system of old; Second, a more modern form, combining theory and practice; and finally, the teacher's nightmare, where children are taught only the necessities for modern life: sales techniques, status symbols, and how to (quite literally) elbow your way to the top.
With the relationship between mother and daughter as a common theme, the film is divided into 9 image rooms with action patterns that are based on archetypal images and motifs. The film is unconventional in its choice of means of action. Ursula Reuter Christiansen, who is a painter, tells her adventurous stories with an emphasis on the visual element, which works in interaction with Henning Christiansen's original soundtrack. (DFI)
In a culture where cremation is unusual, cemeteries fill up rapidly. In Latin America and in some other places, to solve the problem, remains are frequently exhumed. In Cuba, two year after interment. Relatives are invited to observe the little ritual. The music of the film is drawn from requiems from different periods. Twelve pieces by seven different composers are quoted. Together, they make up a traditional requiem, although only a few passages from the "dies irae" have been included, and other sections are slightly abbreviated.
Mogens Zieler's attempt to convey the dynamic element in the graphics through the musical and rhythmic time course of a cartoon. (DFI)
An existential pictorial poem about human life. "Can they stand it? Do they never feel?" (DFI)
A feminist film produced in close co-operation between women who - through situations chosen by themselves for the film - partly step out of their anonymous rôle-playing and partly disclose identities that are survivors of all the oppressive tendencies of a normative society. A film about yearning. Women will live on and survive all bloodsheds and they know that with security the culminations will level out. (DFI)
The intention of the film is to give an impression of what small exotic Denmark looks like, what the strange Danes look like and how they are. Nearly 100 Danes are presented in the film, amongst them a racing cyclist, a Minister of Finance, a popular actor and 13 unmarried women from a provincial town. "There is too much fogginess and rain and melancholy in most of the pictures of Denmark," says Jørgen Leth. "But not in my film. I would like to show you some authentic, clear and beautiful pictures from this strange country."
An association course of circles, triangles, flowers, an eye and a tear drawn with chalk - all tied to the rhythm of the music (New Orleans Parade). The film has the subtitle "Some lines scratched in the film by Jørgen Roos". (DFI)
An art film by Per Arnoldi about a wide range of things with redundant, non-functional ornamentation and banal beauty: Cakes, candies, lollipops, mechanical toys, slot machines, paper hats, masks, noses, fireworks, streamers, artificial flowers, pranks, flags and much more more. It is terrific that such ornate things are produced, on top of that by machine, and add appetizing and purchase-promoting properties to them. And in terms of beauty, this very banality can be accepted as fully as anything else. (DFI)
What happens when Adam and Eve have borrowed money for everything they own and have? Then they end up in the hamster wheel, like everyone else, who consumes beyond their means. Humorous fable about the blessings of the installment system - and its consequences. (DFI)
Report from life at a campsite on Samsø. The campsite is seen as an introduction to Denmark, as a Danish microcosm.
A cinematic experiment that moves in several planes. Four people act out a human course, seen with white silhouettes on a black background. 'Inside' them - or behind them - a different process plays out, supported and contradicted by the sound side. (DFI)
An interview with Yugoslavian director Dušan Makavejev.
Starring Reuter Christiansen herself and shot in the lush landscape of Møn, the Danish island where she has lived since 1970, THE EXECUTIONER uses a fragmented narrative to tell “a story of woman’s degradation and exaltation,” as its subtitle indicates. A landmark of Danish feminist art, the film was also Reuter Christiansen’s first major collaboration with Henning, who composed the film’s lyrical, subtly experimental music.
The basis of the film is a series of original drawings with the joint title 'Upruption', drawn by Palle Nielsen from the autumn of 1965 to the beginning of 1966. There are people fleeing from a disaster which has already caught up with them, people thrown to the ground as if by a giant blow, crawling , cowering, always with their faces turned in terror to the sky, while entire cities crash around them. There is a mute, nameless horror around these faces that scream without sound. (DFI)
