Keystone Film Company

The Tramp interferes with the celebration of several kid auto races in Venice, California (Junior Vanderbilt Cup Race, January 10 and 11, 1914), standing himself in the way of the cameraman who is filming the event.

In a dance hall, two members of the orchestra and a tipsy dancer fight over the hat check girl.

Charlie plays an actor who bungles several scenes and is kicked out. He returns convincingly dressed as a lady and charms the director, but Charlie never makes it into the film.

A womanizing city man meets Tillie in the country. When he sees that her father has a very large bankroll for his workers, he persuades her to elope with him.

Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.

Villains launch Fatty and Mabel's beachfront house into the ocean.

A tramp gets drunk in a hotel lobby and, upstairs, causes some misunderstandings between Mabel, two hotel guests across the hall from her room, and Mabel's visiting sweetheart.

Fatty rescues the daughter of the police commisioner and is given a job as an officer as a reward, but its not all its cracked up to be!

A swindler scams a newspaper reporter-photographer and then, not realizing where the man is employed, applies for a job at his newspaper.

Mabel, in the park with her mother, sees her boyfriend and asks him to join them.

Although only a dental assistant, Charlie pretends to be the dentist. After receiving too much anesthesia, a patient can't stop laughing, so Charlie knocks him out with a club.

The Tramp, a film Johnnie (someone who loiters near theaters or studios to meet stars or get a job), attempts to meet his favorite movie actress at the Keystone Studio, but does not win friends there.

Two rivals for Mabel's hand play a series of dirty tricks on each other. Finally, one of them gets Mabel alone and is about to marry her, but his rival comes up with a strange scheme to stop them. Soon the Keystone Kops arrive on the scene, and chaos quickly ensues.

A young farm maid overhears two cow-hands talking in the barn, and she becomes convinced they’re about to rob her. She barricades herself in a room and calls the police. Her call wakes the chief, who rallies the country justice constabulary and they set off toward the farm, in steam-car and on foot. Meanwhile, the maiden’s parents rush to save her. Everything points toward a showdown in the barn, where no one, including the police force, will be cowed.

Two drunks fight with their wives and then go out and get even drunker.

Fatty and Mabel go to the San Diego Exposition.

Charlie begins to woo a woman on a bench, only to have her seaman boyfriend object. After a brick fight between the two men that eventually involves two police officers, all five people end up in the local pond to cool off.

The hero, a janitor played by Chaplin, is fired from work for accidentally knocking his bucket of water out the window and onto his boss the chief banker (Tandy). Meanwhile, one of the junior managers (Dillon) is being threatened with exposure by his bookie for gambling debts unpaid. Thus the manager decides to steal from the company.

In 1915-16, San Diego's Balboa Park was the scene of an exposition to mark completion of the Panama Canal. This film takes us through the exposition: from the Cabrillo bridge and a panoramic view of the site, to the facades of the California Building, Horticultural Building, Panama Canal Exhibit, and the reproduction of the locks at Gatuna. We see tourists on the isthmus and a crowd outside the Panama Film Company's exhibit of how movies are made. We watch the feeding of fish at the laguna, and we end at the Plaza de Panama where toddlers are surrounded by pigeons. Fatty Arbuckle makes a brief appearance outside the Panama Film exhibit. Titles give us each structure's cost.

Ambrose likes his mother's assistant, but when she inherits a fortune, the obstacles to their relationship keep mounting.