Astor Pictures Corporation

A couple wash up on an uncharted island where Nazi experiments are going on.

Two brothers rob a bank and take a young girl hostage. They find out that the girl is a nudist, so they force her to take them to a nudist colony so they can hide out.

US-Navy pilot Lt. Richard Tabor crash-lands on a south Pacific isle called Love Island in English. Richard befriends the Balinese beauty Sarna. The bad and jealous Jaraka doesn't like their friendship, so he has Sarna's father Aryuna arrested on a vague charge. Jaraka tells Aryuna that he only will be released when his daughter marries him.

A lion-tamer's partly innate and partly acquired attitude to other living beings - that they shall submit without question to his will - is applied with unseeing kindness to an orphan girl whom the lion tamer adopts.

Bolton has organized a feud between the Rork's and the O'Neil's. He has rustled cattle and killed a man putting the blame on Danny O'Neil. Tom Rork has found a bullet with markings on it that he hopes will clear Danny and bring in the real killer.

A naïve, recently-orphaned young man discovers he's being used as a pawn in a crooked gambler's plan to rig a July 4 horserace. Western.

It took a lot of courage to set up a new production company devoted to "B" westerns in 1949, a year when the genre was showing signs of winding down. Filmed in Trucolor, Stallion Canyon was the maiden effort from Kanab Productions, a Utah-based organization. Former Sons of the Pioneers vocalist Ken Curtis made his starring debut in this one, playing a ranch foreman who does his best to track down a rogue stallion. The rest of the cast is comprised of unknowns, save for villains Ted Adams and Forrest Taylor. Cheaply produced, Stallion Canyon has the twin advantages of a relatively new leading man and excellent location photography.

Pregnancy cramps the style of a young female hoodlum who joins her fellow delinquents on regular robbery sprees.

A famous bandleader, suffering from overwork and exhaustion, goes to a sanitarium for a rest. While there he dreams of being out west at a dude ranch, where he finds himself involved in the beautiful owner's struggle to keep her ranch from falling into the hands of the villain, who wants either her or her ranch (or, preferably, both).

As Bruce Lanning posts a "no trespassing" sign at a watering hole on his Circle A ranch, his sister Jane rides up with news that Wes Caven, the hired gun of the Elwood brothers, is looking for him. Soon after, Wes appears and kicks over the sign. Later, Sunset Carson, Wes's boyhood friend, rides into town to invite Wes to become a partner in his new ranch. Just as Wes declines the offer and offers Sunset a job working for the Elwoods instead, Bruce bursts into the saloon, demanding to see Frank Elwood. Not to be confused with the 1950 John Wayne film of the same name

A colonial police detective in an Eastern seaport seeks a stolen gem, and infiltrates the underworld by posing as a look-alike wharfside bar owner.

Compilation film of various African-American performers and acts.

A Hollywood singing-cowboy star with a big heart and an even bigger secret (he uses a double in most scenes because he can't ride, fight or sing) comes to the aid of a rancher about to lose his home on a rodeo bet.

Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.

Professional gambler The Duke (Dots Johnson) attempts to cheat Handsome Harry Hansom (Monte Hawley), who owns a successful Harlem nightclub, out of his club and his contract with his lead singer and girlfriend Tall, Tan, and Terrific (Francine Everett). This leads to a murder that is solved by club comic Mantan Moreland and club photographer Butterbeans (Barbara Bradford). But the plot takes little screen time, most of which is devoted to stage acts at the nightclub.