Barry Crerar

Max, a 25-year-old aspiring writer living in London, begins a double life as a sex worker in order to research his debut novel.

A young mother is forced to face the truth of her past life as her daughter approaches adolescence and strives for new freedom.

A former boyracer, who married his first love and took a job in one of the fish factories, now has a 17 year-old-son of his own following in his footsteps and can no longer ignore the fact he’s going nowhere. Unable to be physically or emotionally present with his family, he takes his son’s car out for one final joy ride and risks losing the love that surrounds him

After a stroke and no memories from his past, Phil encounters Millie who inhabits a desert part of Isle of Lewis. She will shortly entrust him with his deepest secret : they were in love.

Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the neo-liberal era. Rachel Maclean’s dark fairytale, which represented Scotland at the Venice Biennale 2017, depicts a brash and baroque binary world of poverty and riches where the prospect of easy wealth tempts even good boys like Pic into bad ways. But if everyone believes the lie, what’s the problem?

Two adult sisters exist dysfunctionally, each limited by illnesses affecting both body and mind — one physically and the other psychologically.

How do you paint a portrait of someone whose existence has been a family secret? Iain Cunningham does the detective work to uncover his own mother's story.