Aasta 1904

Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.

A Jew who mocked Jesus on the cross is visited by a devil and an angel.

Pierrot goes to the house of his love to serenade her, but her father kicks him out. Soon the moon and its goddess Diana come towards the man and offers him something better.

An inquisitor and two of his henchmen burn a woman at the stake. An angel intervenes.

A Japanese-set magic show. There is a lot of visual trickery on display, ending with an amazing effect using reverse footage and superimposing/projecting images on top of one another.

Opens with a woman posing on a pedestal, dressed in a white body leotard with a sash tied at her hips. Marshall continues with various feminine poses, reminiscent of classic Greek statuary, to accentuate her figure. Film cuts to Treloar posed on the bare stage without a pedestal. He wears brief leopard-skin trunks or short tunic, wrist bands, and Roman-looking laced sandals. His poses accentuate the muscular development of his upper body, particularly that of his arms, and include movements that make the muscles jump. Treloar finishes with a slight nod to the camera.

Documentary on the process of hay-making, from the cutting of the grass to the stacking of the hay.

The adventures of an inattentive man who can't look away from his book.

The stages that a caterpillar goes through, from larvae to chrysalis, to become a butterfly.

In a public place in Constantinople at the corner of a bazaar, the executioner is seated upon a stone and is resting from his daily labors while eating a crust of bread. Suddenly there come running into the place a lot of Turkish men and women preceding some Turkish policemen, who drag along four prisoners in chains. The policemen shut up the four prisoners in the pillory. Their four heads stick up through the huge plank, which is provided with four openings. One of the policemen urges the executioner to decapitate the prisoners. He accordingly seizes a mighty sabre and cuts off by a single stroke the four heads, which roll upon the ground.

Belgradian parades and everyday street scenes.

A camera moving forward on an overhead crane gives a traveling view of men working on machinery. Carts carrying parts and pieces of machinery pass by on rails; cranes lift machinery; and men perform their various duties, including hammering objects. (Library of Congress)

A poor family in a rundown house where snow falls through the broken roof, there's no coal to heat the pathetic little stove, mother is sick, father sends daughter out to beg. Rejected by other beggars, the girl collapses in the snow…

This is a mesmerising little short that employs a peculiar bird’s eye view of a mischievous devil who dances around, performing strange tricks and making sexy ladies appear out of nowhere. The colourful visual effects are very impressive for the time.

A Chinese conjurer stands next to a table, it becomes two tables. A fan becomes a parasol, lanterns appear and disappear. The conjurer spins the open parasol in front of himself, and a dog leaps out from behind it. The dog becomes a woman, then a masked man appears. The conjurer sits them each on a box a few feet apart: suddenly the woman and man have changed places. The disappearing and the transfers continue in front of a simple backdrop.

This short, otherwise unremarkable feature is of some interest because of the way that it unabashedly caters to the tastes that it perceived in its audiences. Besides combining the elements of the risqué 'blue' movies of the era with the popularity of movies about fires, it also attempted to use the combination to get extra mileage out of it. The movie's title summarises the setup, and most of the footage shows firefighters using ladders to rescue stage girls, clad in portions of their costumes, from an upper level. Although it all seems pretty tame by today's standards, it no doubt provided its male viewers with some brief moments of excitement as the various women hurried down the ladders with their costumes in disarray. (IMDb)

During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.

A brief vaudeville-style demonstration of a "Dog Transformator," a machine that instantly turns dogs into sausages, and amazingly, sausages back into dogs.

A barmaid plies a swell with smiles and with cherries from a box that's just been delivered. When she refuses a cherry to a roughly-dressed tradesman who runs a tab at the bar, he pays off his debt in a huff, using all his week's pay. He then storms penniless and without provisions into his ill-furnished house where his wife and two children, ill-clad and ill-fed, cower. Is there any hope for him and for his family? If he does realize how low he's sunk, what help is there to lift him up? Will the family ever know the taste of cherries?

A French aristocrat, who has recently arrived in America, has placed a personal advertisement in the newspaper...