Office Shirous

A married woman with a lovely daughter lives a carefree life, until she meets her ex-lover at a friend’s wedding. They haven’t seen each other in ten years, but they begin an affair.

Mizuki's husband Yusuke has been missing for three years. He suddenly comes back home as a ghost and asks Mizuki to go on a trip with him. Their trip consists of visiting the people that helped Yusuke on his previous travel.

An old swordsman, his former comrade and a young braggart are hired by prostitutes to track down bandits who mutilated one of the women.

Tsutomu lives alone in the mountains, writing essays, cooking Zen food with the vegetables he grows and the mushrooms he picks in the hills. His routine is happily disturbed when Machiko, his editor and love interest, occasionally visits. Tsutomu seems content with his daily life. On the other hand, he still hasn't let go of his wife's ashes, although she died 13 years ago.

Yuichiro is a college student whose sister went missing 15 years ago. That traumatic event hangs over him like a pall as he wanders Japan's S&M clubs. But his younger brother claims to be able to sense their sister with his "antenna".

A 5th grade elementary school student meets a transfer student who has a mysterious charm about her. He then learns her big secret.

Twelve year old Sei has hit puberty and is quickly becoming sexually aware, sometimes not as privately as he'd like; erections in school and other inopportune times plague him. He talks about it with his school friends, Kinta and Nyanko, in between their feuding over the affections of classmate Yumi, but can't figure out what to do about it.

When a bored cafe worker starts learning about erotic prints from a widowed shunga researcher, she gets drawn into a world free of inhibitions.

Shibuya Haruko is a high school student living in Tokyo. One night, she is instantly smitten by Kanagawa Kenichi, who is lying prone on a bridge. But Kenichi becomes far more interested in a girl he impulsively hits on, Mayumi, over the high-spirited Haruko.

Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.

At midnight, in a residential area of Osaka, a middle aged man is murdered. The person who killed the man is a high school student. En is a 2nd grade high school student. She spends her boring days with her friend Kotoko, who tends to change boyfriends frequently. Kotoko falls in love with Narihira at first sight. Narihira is a soccer player at their high school. Since then, the relationship between En and Kotoko changes.

Former punk rocker Jonen, now a Buddhist priest, seems to have lost the meaning of his life. His manic depression handicaps him further. Music seems to be the only solution for him to exorcise his demons, against all obstacles and sound volume controllers.

Eikichi left his hometown in Hiroshima for Tokyo. He tried to find success with his music band, but failed. Several years later, Eikichi goes home to tell his father, Osamu, that his girlfriend is pregnant. His father curses him out, but he is also excited to have a grandchild. Osamu has a party to celebrate the news, but, at the party, he collapses and goes to the hospital. Eikichi struggles to make his father happy.

A boy and girl struggle to understand their place in 1980s Japan, retiring to copulate and probe each other for answers.

Jun is a university student. She meets high school student Haru. Haru is looking for Sachiko, the ex-girlfriend of her now deceased father. Jun and Haru meet Tokio. Tokio is the grandson of Sachiko and they learn that Sachiko is now deceased. They find an open-reel tape from Sachiko's articles.

Reiko teaches at an acting school while working as an actress. Her career has stalled, but she gets a chance to appear in a feature film from a theater group friend who is now a famous actor. Reiko is elated, but then she gets a call from her mother Yukie.

A woman has a fine life with rewarding work, a nice house, and a serious boyfriend in the lowlands of Japan. In walks her long lost husband who years ago disappeared and abandoned her. The wife allows her lost husband to secretly live in her house. More specifically, he lives in the wife's closet. The closet has a peep hole, so he does nothing day and night but watch his wife live her life.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

10-year-old children Midori and Futa live separate lives. Both feel alone and isolated from their parents. They struggle to be kids under the stress and weight of their fractured family lives.