Thunderbirds Are GO 1966
When the launch of a mission to Mars goes awry due to sabotage, International Rescue is requested to assist in the mission's second attempt.
When the launch of a mission to Mars goes awry due to sabotage, International Rescue is requested to assist in the mission's second attempt.
Book-ending the year 1975 with two big budget TV Specials, Ann -Margret also earned her second Oscar nomination that year, for Tommy. In January, "Ann-Margret Olssen" premiered and was titled with the star's maiden name. This second special premiered late in the year and was titled with the star's married name. Her husband Roger Smith also appears in the opening sequences. Presented by the Bell System's Family Theatre, the program was filmed at the ATV Studios at BBC Elstree Centre, Borehamwood, England.
The International Rescue team is faced with one of its toughest challenges yet, as the revolutionary lighter-than-air craft Skyship One is hijacked while on her maiden voyage around the world. Against backdrops including the Statue of Liberty and the Sphinx, Lady Penelope, Parker, Alan and Tin-Tin fight the hijackers from on-board, while the rest of the team tries to stop the airship crashing.
Sir Alec Guinness, Sir Ralph Richardson and Joan Plowright star in this merry on-stage mix-up of identity, gender and love in Tony Award-winner John Dexter’s production of William Shakespeare’s Twelfth Night. Originally broadcast on Britain’s ITV, this classic performance captures all the slapstick, puns and double entendres that have amazed and amused audiences for over four hundred years.
Peter Pan is a 1976 musical adaptation of J. M. Barrie's Peter Pan, or the Boy Who Wouldn't Grow Up, produced for television as part of the Hallmark Hall of Fame, starring Mia Farrow as Peter Pan and Danny Kaye as Captain Hook, and with Sir John Gielgud narrating. Julie Andrews sang one of the songs, "Once Upon a Bedtime", off-camera over the opening credits. It aired on NBC at 7:30pm on Sunday, December 12, 1976, capping off the program's 25th year on the air. The program did not use the score written for the highly successful Mary Martin version which had previously been televised many times on NBC. Instead, it featured 14 new and now forgotten songs, written for the production by Anthony Newley and Leslie Bricusse.
A former hitman hides out in a remote fishing village but his secret soon begins to surface.
A journalist investigates a newspaper story of the execution of an Arab princess.
A young American woman visiting her author father in London discovers that her childhood habit of sleepwalking has recurred. She has a vivid dream of witnessing a murder in a strange house - or is it a dream?
A young woman looking into the disappearance of her fiance discovers that the last place he was seen was at a very strange motel.
A bored upper class Edinburgh woman decides to rebel against societal conventions.
Ann-Margret gave viewers a double dose of movie star glamour in 1975, with a pair of TV specials designed to showcase her musical and comedic talents. Arriving first up in January was this program "Ann-Margret Olsson" with guest stars The Osmonds and Ike & Tina Turner Turner. (The follow-up special "Ann-Margret Smith" debuted in November.)
Never trust a man whoever he is. This is the bitter lesson learned by Mary MacNeil in her relationships with three different men: her father, a mendacious womanizer; a smooth-talking office flirt, Cornelius; and an aging barrister, Emlyn, who is enchanted by Mary's youthful vitality and charm.
In a staggering example of lacking imagination, Petula Clark's third US TV Special was given the exact same name as her first. Unbelievably, a third special also had that exact same title a few years later! Guests: Peggy Lee, Dean Martin, the Everly Brothers, David Frost. Songs: Beautiful Sounds, duet w/ Peggy Lee (I'm A Woman/Wedding Bell Blues), Games People Play (w/ The Everly Brothers), duet medley w/ Dean Martin on a horse (Hey Good Lookin'/Detour/Things/I Walk The Line/Just A Little Lovin'), medley (Come Together/Great Come And Get It Day), When Johnny Comes Marching Home (w/ Lee), Fool On The Hill.
Newlyweds Samantha and Robert Miller emerge from the church to the sound of cheers. However, the happy scene is disturbed by a cruel practical joke, someone throws a paint-bomb at the bride. Later, upon returning from their honeymoon the couple discover the smashed remnants of their wedding cake and a mysterious gift -- one soiled glove. Could it be a warning? Does someone hold a grudge against the couple?
Two female tourists are taken hostage by criminals who are chasing a man recently released from prison who knows the whereabouts of stolen money
A shy, lonely American girl marries a charming man she meets while on vacation in England, unaware that he has sinister plans for her.
An Edwardian take on the Shakespeare play starring Laurence Olivier.
Doctor Bruce Nelson takes over the medical practice of a village general-practitioner. Upon arriving in their new home, the doctor and his wife, Tessa, receive a very warm welcome from all the villagers. Tessa is at first flattered by the villagers' constant fawning and gifts, but soon becomes wary of their strange ways, and begins to suspect there is something evil in the village.
Documentary drama based on a true story, highlighting the difficulties faced by a young deaf woman, Sandra, whose attempts to use sign language are prevented in a time when deaf people were encouraged to lip read and speak. Unable to communicate adequately, Sandra becomes a target for abusive men.
The program, deftly taped on a studio sountstage simulating the cobbled streets, stately, facadest colorful produce and quaint shops of the Drury Lane Theater, area in London, is linked to the atmosphere and history of the famous old showcase. Miss Andrews and the two Americans cavort in some very funny slapstick, including a “Cinderella” take‐off of traditional English pantomime. Even a tender, dramatic vignette, with Miss Andrews and Mr. Van Dyke in a fogshrouded meeting during World War II, Works appealingly. The songs flow almost continuously, enhanced by the muscular leaping of the Paddy Stone Dancers, clad as Covent Garden street workers. The ensemble finale is dandy, with a cavalcade of excerpts of songs from American hits at the Drury Lane, from “Rose Marie” to “Hello, Dolly!” Miss Andrews sings as beautifully as ever. Blake Edwards produced, Dennis Vance directed, and Marty Farrell, Frank Waldman and Dick Hills wrote the program.