La Jetée 1962
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
Dr. Cordelier, living in a suburb of Paris, withdraws from society to pursue research into the functioning of the human brain. His lifelong friend, Maître Joly, becomes concerned when Cordelier draws up a will that bequeaths his entire estate to a stranger, Monsieur Opale; he cannot understand why Cordelier defends him, considering Opale attacks women and children. After a colleague is killed, Joly confronts Cordelier and discovers the truth behind his friend's behavior.
A haunting short version of Edgar Allan Poe's famous story about a cruel and unusual punishment inflicted on a victim of the Spanish Inquisition...
Emperor Claudius had a son, Britannicus, before marrying Agrippina and adopting her son Nero, born of a previous marriage. Nero succeeded Claudius and ruled the Empire. Despite his reign, Nero decides to free himself from his mother's yoke and take revenge on Britannicus, the brother who has everything and whom he envies.
Ikhariev is a professional gambler who made his fortune by cheating. Having just won eighty thousand roubles, he comes to try his luck again at a new inn. He is accosted by three men, also cheaters, who offer to join forces with him to ruin their new prey: young Glov, heir to a rich landed estate.
Roberto Rossellini shot the film Psycodrame in 1956 for the Center d'études de radiotélévision. The staging of three "psychodramas" - organized by Professor Jacob Levi Moreno with Anne Ancelin Schutzemberger - gives Rossellini the opportunity to reflect on what can become a particularly congenial acting technique, and, in general, on the potential of didactic tv. Director of photography a very young Claude Lelouche. Digital restoration by the Archivio Nazionale Cinema Impresa - CSC and Institut National of l'Audiovisuel in collaboration with Museo Moreno.
A heart stops beating and two others no longer dare to face each other. While an old lady is found poisoned, the two main suspects in the investigation see their mutual love decline behind vile suspicions. 35 years before Les Cordier, judge and cop, Pierre Mondy is already trying his hand at the role of inspector.
Berthon, racing driver, is committed to the 24 Hours of Le Mans while Genevieve, his wife, has been trying for years to convince him to retire. Desperate, she became the mistress of his brother, always jealous of his elder.
Antoine is a violinist in love with sweet Sophie. Problem: his sweetheart is the daughter of the master of the municipal harmony, a stubborn man who swears only by the brass. Never mind: Antoine decides to ask him for his daughter's hand and to win his place at the orpheon. Will the two men be able to get in tune?
It was in 1973 that this film, the first film shot in Super 8 mm with magnetic sound, was broadcast on television. The Carnival of Basel is famous for the music of its fife-and-drum military bands. The imaginary quality of the carnival comes face to face with musique concrète.
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.
The incredible story of three promiscuous friends who share more things than they think. Ernest, Jobelin and Marjavel collect pranks and exchange wives and mistresses in the greatest secrecy. But their joyous merry-go-round threatens to collapse at the slightest misstep.
Font-aux-cabres is the name of an Andalusian village, benefiting the Commander of the Order of Calatrava, who supports Juana Beltraneja, the pretender to the throne of Castile, against the Catholic Monarchs. The Commander's tyranny is felt throughout the country, subjecting village women and girls to his whims by threat or violence. Laurencia, who dares to refuse him, is kidnapped on her wedding day, and her fiancé Frondoso is imprisoned.