25 Watts

25 Watts 2001

6.80

24 hours in the life of three street youths in Montevideo. Three teenage guys try to figure out what they're supposed to be doing with their lives in this drama from Uruguay that puts the emphasis on character over narrative.

2001

The Tears of Eros

The Tears of Eros 1998

1

This documentary examines sexuality as seen by women and men born into Catholic families and educated at Catholic schools. These people talk about the Church's refusal to face reality and how this short-sightedness leads to lies, feelings of guilt, a block on eroticism, unwanted pregnancies, deaths resulting from illegal abortions, and ignorance about AIDS that in fact helps the disease to spread.

1998

Distracción fatal

Distracción fatal 1993

1

A woman that is an excellent wife and mother, and responsible and efficient in her work, commits a shameful act pushed by fate.

1993

India Muerta

India Muerta 1992

1

This is a marsh area in the very heart of the protected wetlands in the east of Uruguay, but today it has almost completely disappeared. A message in the Guaraní language, an "India Muerta" prayer, sounds the alarm about the dire consequences for nature of what human beings are doing.

1992

Onetti, Portrait of a Writer

Onetti, Portrait of a Writer 1990

1

A long interview with Uruguay's greatest writer, in Madrid a few months before his death. From his bed, Onetti talks about literature, creativity, and his origins.

1990

The Rocha Wetlands: The Secret of the Waters

The Rocha Wetlands: The Secret of the Waters 1991

1

In the east of Uruguay there is a little-known region of vast wetlands in a beautiful natural setting which is a sanctuary for thousands of species of flora and fauna. Although it is officially protected, it is under threat from rice producers who are draining parts of the area.

1991

Idea

Idea 1997

1

Idea approaches the figure of Idea Vilariño, considered as one of the greatest Spanish-language female poets. Her literary work, especially her poetry, is acclaimed by critics and public alike, a rare case in the Uruguayan culture scene. With her own testimony, pictures, poems, songs and archive footage, this documentary offers an in-depth look at the essence of Idea Vilariño's poetic universe in a frank adherence to her literary and human posture. Her childhood, her ghosts, her desolate vision of a godless world, the stormy burden of suffering from her relationship with Juan Carlos Onetti and the commitment assumed with the issues of her time define the various facets of this woman.

1997

Without Asking Permission

Without Asking Permission 1989

1

The subject is women and their participation in politics, and this is used as a pretext for a humorous, provocative, female perspective on official (male) discourse and the almost nonexistent participation of women in Uruguayan politics.

1989

The Forgotten Land

The Forgotten Land 1991

1

This is the dramatic untold story of small farmers who suffer and struggle to subsist less than 80 kilometres from Montevideo. The reality of their daily lives is that the land is impoverished, middle men dominate the business, they cannot compete with firms that have new technology, and the market for their goods is small. They have to fight to survive in the wider context of the impact of regional integration - the Mercosur - and the world crisis that other countries are also going through.

1991

Pantanal: The Waters of Life

Pantanal: The Waters of Life 1997

1

Forty million people and countless species of flora and fauna depend on the rivers of the Rio de la Plata basin. But there is a development initiative, the Paraguay-Paraná Waterway Project, which aims to change the natural courses of these rivers and build a “Super Highway River” for the transport of grain and raw materials. If this project is implemented, what will the consequences be for society and for the environment?

1997

Octavio Podestá

Octavio Podestá 1988

1

A record of the works and reflections of this notable Uruguayan sculptor as a starting point to question the fate of art in our society, a question of how this artistic expression remains limited to a restricted area due to the lack of a true cultural policy.

1988

The Recourse of Memory

The Recourse of Memory 2000

1

Ten years after the Law of Expiration, this documentary analyses the historical background of Uruguay's recent past. It is a survey of the controversy stirred up in society by the fact that, thanks to this law, the armed forces personnel and police who committed crimes under the dictatorship (1973-1985) have gone unpunished, and it examines the scars the authoritarian regime left on a section of the population.

2000

The Chimera of the Coast

The Chimera of the Coast 1994

1

This documentary examines the problems of Uruguay's Atlantic coast in the face of a scheme to exploit the area's tourist resources that is not geared to sustainable development.

1994

Cornered

Cornered 1992

1

The community at Rincón de la Bolsa, just a few kilometres from Montevideo, is suffering from all kinds of environmental problems, and the local people organize and demand solutions.

1992

Voices For a Story

Voices For a Story 1987

1

Women in an isolated backwater in the countryside tell the story of how they live, and talk about their work in a cooperative that processes wool to make good quality clothing.

1987

Pandora's Box

Pandora's Box 1991

1

From an early age children are brought up very differently depending on their gender. The process of discovering the world is a veritable box of surprises in which school, the family and the media programme us about what it is to be a “good” girl or a “good” boy.

1991

Dieste: the Consciousness of Form

Dieste: the Consciousness of Form 1997

1

The engineer Eladio Dieste, the most innovative architect in Uruguay, is interviewed by the architect Mariano Arana. He talks about the ethical responsibility involved in creating, the idea that the things that surround us should be beautiful, and how important it is to use our intelligence and creativity to produce original responses and generate our own ways of thinking.

1997