La Sept

Dah and Jocelyn come from former French colonies to coach their rooster, "S'en fout la mort", for an illicit cock-fight in the basement of a restaurant.

Jeanne d'Arc has succeeded in lifting the siege on Orléans and Charles VII has been ordained King of France. However, she is injured in her failed attempt to take Paris, weakening her position at court. When she is finally captured and put on trial, she finds both her life and the sanctity of her body at stake.

Two disc jockeys have a friend's murder to solve in the fringe-group melting pot of 1977 London.

Convinced that only she can lead France to victory against the invading English, Jeanne d'Arc leaves her childhood home to plead Charles, heir to the French throne, to allow her to guide his troops on the battlefield.

Documentary about African political leader Patrice Lumumba, who was Prime Minister of Zaire (now Congo) when he was assassinated in 1961.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Part 5 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.

A fanciful biopic of legendary conductor Arturo Toscanini as a very young man.

This fairy-tale-like drama, based on a 1904 short story by American poet and feminist author Renée Vivien, tells two opposing versions of the same narrative: one told verbally by Pierre Lenoir, a male narrator at a Victorian dinner party; the other told visually through the behavior of an unnamed woman who meets him on a fantasy cargo boat. The intercutting of the two stories creates a tension between the different world views of the woman and the man.

Vincent, a young Swiss, is upset by his meeting with the city of Lisbon. He will meet two persons: a prostitute of high flight and a great writer fallen and suicidal.

"Philip Priestley's acclaimed film charts the history of Stax Records, the influential soul and blues record company founded in the 1960s by Jim Stewart and Estelle Axton. Featuring music by an impressive roster of stars, including Otis Redding, Isaac Hayes and Carla Thomas, The Soul of Stax chronicles the performers' rise through the industry and popular culture, the role played by many of them in the Civil Rights movement, and the label's eventual decline." - bfi.org.uk

Sylvain Berg, a "professional" unemployed who spends his time hiking and mountain climbing, and "model" bank employee Benoît Constant, who has just been fired and does not want his wife to find out, both find themselves in Françoise Duru's office at an employment agency. Françoise is secretly in love with Sylvain, so in order to keep him close she convinces her employer to give Sylvain a job he doesn't want, instead of Benoit who not only wants it but also has the right qualifications.

At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the tribal chief Gungunhana, who had rebelled against Portuguese government and sovereignty. Mouzinho instantly becomes a national hero but his raising popularity worries the State.

Two retirees obsessed with their desire to know everything put their knowledge into practice in a constantly awkward way.

Jean and Julie meet again ten years after childhood. Jean has trouble recognizing the grown up girl. Julie is "promised" to Henri, a neighbor. Julie, scathing and capricious, provokes Henri and Jean.

A couple is torn apart for a whole night, evoking old age, death, memories, everyday life together, their work, their anguish.

Events in an idyllic African village are shown in detail in the period just before logging trucks come in and cut down the forest around the villagers, forcing them to move into the wretched shantytowns that surround major cities throughout the undeveloped world. Despite the familiar premise, this surprisingly unsentimental film by Georgian director Otar Ioselliani has several things going for it, beginning with the cinematography and including the natural and unaffected (non-professional) performances of the villagers.