Studio Miniatur Filmowych

A fantasy biography of Franz Kafka, bringing to life the writer's diaries and photographs.

In a simple but powerful way, director Ryszard Czekala presents the horror that happened in Nazi concentration camps: prisoners’ dread, humiliation and lost humanity. Its directness and style is sometimes interpreted as a response to the trend of allegorical and philosophical filmmaking that dominated Polish animation in the 1960s.

A self-consciously Kafkaesque tale of a winged lonely man literally devoured by totalitarian rule.

Displaced by the Second World War, a troop of Polish soldiers form an inseparable bond through an orphaned bear they name Wojtek.

From cowboys to cannons, diving to racing, perhaps nothing can stop this stuntman

A bicycle race between competitors ends up not with a winner, but with a seemingly never finishing loop.

A lonely bachelor blushes at a look from a woman spotted on the street. He is really randy when he sees other women on the street. The more confident he is, the more attractive he is.

A caveman and a modern man compare their qualities. The caveman is impressed with the intellect of the modern man, while the modern man is impressed with the mass and appearance of the primitive man. The filmmaker will help both of them.

Short animation by Alina Maliszewska about two lovers trying to kill themselves

Polish animated short film that uses unconventional film techniques such as cut-out, drawing, filming miscible fluids and scratched images. Also uses non-camera technique such as drawing directly on film. The film is a humorous lecture on the internal structure of a dachshund. Parodying popular lectures at the same time, it contains a message about the superiority of the products of living organisms' techniques and calls for respect for the environment.

It is still one of the most popular Polish animated films. Servants prepare the table for a luxurious dinner party in a beautiful palace. Guests are gathering slowly. Suddenly they are surprised by an unexpected change of roles between the eater and the one who is eaten.

Kajetan, a dog and famous detective, and his assistant, Cat Makawity, try to solve the mystery of the director's disappearance and the problems of other creatures from the neighbourhood. Only the Secret of Marabou’s Code can stop Chameleon, a dangerous criminal.

Tomek Milkowski is an comic-books' illustrator. But his chef doesn't like his drawings. He tells Tomek to make up something really cool, if the boy doesn't want to loose his job. The illustrator has a guest. It's a bird Tri-Tri from stories about Mr. Kleks. Tomek takes the book and decides to illustrate it as a comic book.

A man living a dream experience linked to memories of his childhood.

Ijon Tichy arrives on a new planet in a single-person spacecraft. His habits and fantasies are with him. The aliens recreate the sex bomb from the poster that could be found in the cabin of his spacecraft. Then, they present him a live dummy. A male-female evening in space with some pre-war music hits becomes possible.

A man seated next to the body of his young wife thinks about their brief life together. Suicide has been the only escape for her... Dumala's technique creates a dark, claustrophobic atmosphere, entirely suitable for Dostoyevski's novel "A Gentle Spirit" on which it is based.

Enacting the story of a hunt with wild but precise gestures, the Polish animator Witold Giersz’s The Horse (award-winning at the Krakow Film Festival for “its exceptionally interesting animation technique”) explodes with color and brings to life the physical strokes of paint of which it is made. The film never lets you forget that what you’re seeing is simply paint being rearranged into recognizable shapes, yet the pumping musical score and expressiveness of its titular character provide a simultaneous emotional experience. The abstract backgrounds render the narrative world beautiful and strange yet entirely comprehensible, as the film depicts an epic chase from humanity’s past.

Two shades of paint are pitted against each other in a bullfight that spills self-reflexively from the page into the animator’s studio