The Baby of Mâcon

The Baby of Mâcon 1993

6.90

Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.

1993

Prospero's Books

Prospero's Books 1991

6.80

An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The Tempest'.

1991

A Walk Through Prospero's Library

A Walk Through Prospero's Library 1992

1

A short made for TV with director Peter Greenaway discussing the dazzling 3.5 minute opening sequence from his film, 'Prospero's Books'. As Prospero (John Gielgud) walks through his library, Greenaway comments on the historical, mythological, biblical & fictional characters occupying the library.

1992

When Pigs Fly

When Pigs Fly 1993

5.00

The ghosts of a middle-aged woman and a precocious little girl help an unwed jazz musician and a bar dancer reverse their bad fortune.

1993

Keep It for Yourself

Keep It for Yourself 1991

5.70

Sophie comes to New York from France with the intention of joining a man she met a few months before. She finds herself alone in the apartment of the guy, who left town because he was scared stiff at the idea of seeing her. Originally commissioned as one third of an omnibus feature showcasing the Figaro, a Japan-only retro throwback car.

1991

M Is for Man, Music and Mozart

M Is for Man, Music and Mozart 1991

5.20

Dutch composer Louis Andriessen collaborates with director Peter Greenaway on a commissioned short film to commemorate the 200th anniversary of the death of Mozart. Gods create Man, Music and Mozart.

1991

Rosa

Rosa 1992

1

A short film based on the work of choreographer Anne Teresa de Keersmaeker.

1992

A Strange Love Affair

A Strange Love Affair 1985

1.00

Film professor Michael falls in love with one of his students and is confronted with his pupil's father, with whom he had an affair over 15 years ago. This unexpected meeting abruptly overturns the lives of all the characters. When the tutor decides to undertake a planned trip to London, not with the son but with the father, he is once again forced to choose; this time between his wife and his friend.

1985

The Act in Question

The Act in Question 1994

7.50

Miguel steals a trick from a magic book and becomes a world-renowned magician. However, the idea of ​​the public discovering that this great trick is plagiarized from a book eats at his mind more and more.

1994

Darwin

Darwin 1992

7.00

A revisionist biopic on Charles Darwin, illustrated via 18 tableaux covering details from Darwin's birth, his defining voyage on the HMS Beagle, the publication of his seminal Theory of Evolution and his ultimate death and consequent burial at Westminster Abbey.

1992

Everybody Wants to Help Ernest

Everybody Wants to Help Ernest 1992

1

Ernst, a man in his thirties has lost his memory after an accident. His parents see this situation as another chance to raise Ernst into a perfect son, and enlist the help of a psychiatrist, a priest and an ideal daughter-in-law to be.

1992

The Nature of Space

The Nature of Space 1993

1

In The Nature of Space, Frank Scheffer juxtaposes the ideas of two Dutch architects: the Benedictine monk Dom H. van der Laan and the anthroposophic architect Ton Alberts. Van der Laan represents a plain and pure architecture, based on his own research into ratios. He designed churches and monasteries, among them a monastery in Vaals. Ton Alberts works from organic forms, as demonstrated by his design of the NMB Bank headquarters in Amsterdam. Director Frank Scheffer stresses the difference in style between these architects, both of whom allow their spiritual background to be reflected in their work, by adopting a very different camera style in the case of each. (filmcommission.nl)

1993