Foothill Productions

Explores the life and career of cartoonist Art Spiegelman including the creation and ground-breaking impact of his Pulitzer Prize-winning graphic novel MAUS.

America’s policy of producing cheap food at all costs has long hobbled small independent farmers, ranchers, and chefs. Worried for their survival, trailblazing food writer Ruth Reichl reaches out across political and social divides to uncover the country’s broken food system and the innovators risking it all to transform it.

She was once as famous as Jackie O—and then she tried to take down a President. Martha Mitchell was the unlikeliest of whistleblowers: a Republican wife who was discredited by Nixon to keep her quiet. Until now.

A young college graduate toiling as an intern has dreams of making it big in publishing, and the chance comes when they accept an offer to become the latest assistant of a notoriously over the top writer.

From masterminding Bill Clinton’s 1992 presidential win to his insurgent role in the 2024 race, Democratic strategist James Carville has been one of the most influential forces in modern political history. The “Ragin’ Cajun” looks back at his unlikely career and 30-year marriage to Republican consultant Mary Matalin. Featuring interviews with Bill Clinton, George Stephanopoulos and more.

Two sisters are abruptly separated, the eldest, Hasna, struggles to find her identity and place in the world.

Two seconds into the bubbling synth sounds of its theme song will have a child of the 1980s or ‘90s exclaiming “Reading Rainbow!” Such is the beloved and ubiquitous nature of the classic children’s literary television show that introduced millions of kids to the wonder and importance of books. Not only did the series insist on having kids speak to kids about their favorite stories, but Reading Rainbow introduced the world to one of the most adored television hosts of all time in LeVar Burton. Thanks to his direct, non-patronizing and, most importantly, kind delivery, Burton became a conduit to learning for children of every background—an entrancing guide to subjects unknown.

Lift shines a spotlight on the invisible story of homelessness in America through the eyes of a group of young homeless and home-insecure ballet dancers in New York City and the mentor that inspires them.

A celebration of a community of Argentine cowboys and cowgirls, known as Gauchos, living beyond the boundaries of the modern world.

A dogged family-run paper in Iowa gives citizens the scoop on forces threatening to overwhelm their precarious small-town existence.

After the United States and coalition troops announced they would withdraw their forces from Afghanistan in 2021, the subsequent collapse of the government and the rise of the Taliban have left the people of Afghanistan in fear of the future in a country that has suffered seemingly endless cycles of violence. Four extraordinary and brave women leaders, whose work in politics and social justice has already earned them international recognition, rise together, determined to fight for women’s rights under the new government.

After a brush with death, Maya Gabeira makes history in the male-dominated world of big wave surfing.

An intimate portrait of mothers and daughters and the effects of trauma, Jacinta follows a young woman in and out of prison as she attempts to break free from an inherited cycle of addiction, incarceration, and crime.

VIVA VERDI! is an intimate glimpse into the lives of the celebrated opera singers and musicians currently living out their 'third act' while mentoring international music students who live among them at Milan's unique retirement home, Casa Verdi, built by renowned opera composer, Giuseppe Verdi in 1896. From these 'guests of Verdi,’ age 77 to 107, comprised of international opera singers, ballet dancers, musicians, conductors and composers, we hear an extraordinary array of personal and professional stories filled with music, magic and passion, and ultimately learn why Verdi called this remarkable home his “best work.” A blueprint for retirement homes, Verdi’s generous approach in caring for his colleagues in art, and the energy from the intergenerational exchange that permeates the house, makes Casa Verdi as forward thinking now, as it was then.

Four years after being shot with an AR-15 in her high school, Samantha Fuentes reckons with existential questions of hatred and justice as she prepares to confront her shooter.

Takes audiences behind the scenes of the new golden age of children’s picture books —a time when all children can see characters who look like them on the page; a time when creators come from diverse communities and backgrounds; and a time when instead of keeping the hard stuff out of stories for children, we put it in and provide context and counternarrative.

'Maestra' looks at what happens when women come together - the extraordinary. In March 2022, fourteen women gathered in Paris to show the world the singular talent that unites them and which, for far too long, has been considered the pursuit of only men. Mothers, daughters, rebels, leaders - over four days, each took to the stage to compete in 'La Maestra', the only competition in the world for female conductors. A mother of twin toddlers from Athens, determined to show her kids anything is possible, a Ukrainian doing all she can to focus on her art and the competition in front of her while Russia invades, a Polish student just starting out, and a French immigrant returning to the city that closed its doors to her many years ago. Personal stories of survival, passion and perseverance are woven together with the drama and excitement of this one of a kind event created to break yet another glass ceiling for women.

America has been fighting the war on terrorism for two decades, and there are more terrorists today, not fewer. The day after 9/11, experts estimated there were around 400 members of al-Qaida. Today, those same experts put that number at over 100,000, including affiliate groups. The question we must now ask ourselves is not only how to prevent more men from joining these groups, but can we deradicalize those who already have?

A first-person memoir, a family saga, and an essay about how American culture views loss and impermanence.