The Golem: How He Came Into the World

The Golem: How He Came Into the World 1920

7.00

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

1920

The Eyes of the Mummy

The Eyes of the Mummy 1918

5.40

Egyptians Radu and Ma milk British tourists out of their money by offering phony tours of a mummy's tomb-- Radu has the girl lend her eyes to the "mummy" from inside an empty sarcophagus. When adventurer Wendland comes to visit the tomb, Ma is rescued and falls in love with him, leaving Radu in the dust. Needless to say, her former employer / captor follows them abroad in order to exact his revenge.

1918

The Doll

The Doll 1919

7.40

The misadventures of an effete young man who must get married in order to inherit a fortune. He opts to purchase a remarkably lifelike doll and marry it instead, not realizing that the doll is actually the puppet-maker’s flesh-and-blood daughter in disguise.

1919

The Island of the Blessed

The Island of the Blessed 1913

4.30

Max Reinhardt’s second and last silent film. It tells the story of two young girls (Cheerful & Shy) who, in order to escape their father’s authority, reaches an island of wonder filled with gods, nymphs, fauns and other creatures.

1913

Anna Boleyn

Anna Boleyn 1920

6.90

The story of the ill-fated second wife of the English king Henry VIII, whose marriage to the Henry led to momentous political and religious turmoil in England.

1920

Sumurun

Sumurun 1920

6.00

The favorite slave girl of a tyrannical sheik falls in love with a cloth merchant. Meanwhile, a hunchback clown suffers unrequited love for a traveling dancer who wants to join the harem.

1920

The Oyster Princess

The Oyster Princess 1919

6.80

A pampered American oyster tycoon decides to buy a husband for his daughter, but things don’t go quite as planned. Along the way there are mishaps, misunderstandings and a foxtrot sequence that must be seen to be believed.

1919

The Wildcat

The Wildcat 1921

7.70

A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.

1921

Madame DuBarry

Madame DuBarry 1919

6.40

The story of Madame du Barry, the mistress of Louis XV of France, and her loves in the time of the French revolution.

1919

Die Flamme

Die Flamme 1923

5.80

In 19th century Paris a hedonistic woman marries an aristocrat but has trouble keeping faithful to him.

1923

I Don't Want to Be a Man

I Don't Want to Be a Man 1918

6.45

A teenage tomboy, tired of being bossed around by her strict guardian, impersonates a man so she can have more fun. She quickly discovers that being the opposite sex isn’t as easy as she had hoped for. What ensues is a gender-bending comedy decades ahead of its time.

1918

When Four Do the Same

When Four Do the Same 1917

1

Directed by Ernst Lubitsch. Lubitsch plays a book shop employee who falls in love with Jannings' daughter.

1917

Little Angel

Little Angel 1914

5.90

Engelein is a comedy of deliberately mistaken identity. If Jesta, a 17-year-old, can play the part of a 12-year-old, her family will gain a large inheritance from a rich uncle from Chicago. Her unruly “play-acting” for the uncle is preceded by an earlier incident in the film that results in Jesta being evicted from her girl’s school. Wearing a long, woman’s skirt, she climbs up a ladder and onto a thatched roof. She reaches over the top of the wall to kiss her boyfriend, who appears from the other side. However, Jesta is caught by the headmistress, and her forced descent is precipitous. Pulled downward, she reveals a great deal of a black-stockinged leg. She looks distinctly sexual as she falls into the matrimonly arms of the law, whose duty is to enforce the rules of female decorum.

1914

Where Is My Treasure?

Where Is My Treasure? 1916

6.30

Because Ernst feels oppressed by his wife and her mother, he fakes his suicide and hires in his own household disguised as a servant.

1916

The Suffragette

The Suffragette 1913

4.60

Nelly's mother is a suffragette and persuades her daughter to join the good cause. Placing a bomb under Lord William's chair love develops between the two.

1913

The Merry Jail

The Merry Jail 1917

6.40

A neglected wife disguises herself in order to lure her wastrel husband into a compromising position.

1917

Zapata's Gang

Zapata's Gang 1914

6.00

Comedy about a film crew shooting a movie about guns and robbers, when real robbers turn up. Having to go home in robbers costume, they are mistakingly accused. In the end the real robbers are brought to justice. One of the earliest films portraying bisexual characters.

1914

Mad Love

Mad Love 1921

7.30

Richard de la Croix's brother, Andreas, has been driven insane by a notorious vamp and socialite named Sappho. A friend takes Richard to the Odeon to meet her, but when Sappho actually meets him, he is unaware that she is the woman who drove Andreas to be institutionalised. Sappho genuinely falls in love with Richard, and decides to leave her vampy ways and her older lover behind her so that she can have him.

1921

Carmen

Carmen 1918

5.60

The tragic story of Don Jose, a Spanish cavalryman, who falls under the spell of a gypsy girl, Carmen, who treats him with both love and contempt and leads him into temptation and thus damnation.

1918

A Venetian Night

A Venetian Night 1914

6.00

The young Anselmus Aselmeyer fulfilled a long cherished dream: He travels to Venice, the city of his dreams. Once there, the porter Pipistrello directs him immediately to the hotel of his boss, and Anselmus lands in the middle of a wedding party. Mestre Mangiabene, a wealthy oilman, marries the beautiful but completely depleted Marchesina dei Bisognosi. But the secretly loves an officer.

1914