Royal College of Art

Every day, a father and his son jump with a parachute from their vertiginous cold house, attached to a cliff, to go to the village on the ground, far away where they sell the ice they produce daily.

At Stamford Road in Dalston Junction of east London, the camera follows pedestrians, cars and birds while a narrator, who appears to be the director behind the camera, seems to instruct the objects.

A mammoth is defrosted into an unrecognisable future.

Experimental short contrasting the grey interior of a house with the vibrant colour of its garden. Sunlight shines through leafy trees. The camera zooms in until the image is out of focus. When it zooms out again, it reveals sunlight through leaves reflected in the window of a house. From inside the house, we see a woman, in colour and fully dressed, walk by a window. Outside, the camera and photographer are seen in a mirror. The woman, in black & white now and inside the house nude, walks around a large room, trapped. Further images of the naked woman are interspersed with colour images of the garden outside: pond, lilies, etc. Eventually, the image of the cameraman and his mirror returns and the reflection in the window and the sunshine through trees are repeated.

The tale of Derek, an office worker, as he struggles with the true speed of planet earth.

Victor is stuck in a low-budget airliner next to a shamelessly intrusive stranger. The crackling candy wrapper, the smacking of the lips, oh, he thinks, just give me a break. No, he doesn't want candy, thank you very much. Victor isn't hungry. But there's no escape, thirty-five thousand feet in the air. So, just keep breathing.

A young boy and his father live in a dull, lonely house with the shadow of mourning hanging over them both. The boy misses his mother but gets no comfort from his father's assertions that she went peacefully. This tragedy is added to by the family dog which is looking increasingly unhealthy.

A mixed-media biography of a fictional animation tycoon.

Ostia is a fascinating short film directed by Julian Cole and produced for the Royal College of Art, which reconstructs the events leading up to the murder of Pier Paolo Pasolini. Ostia relocates the proceedings to London and stars Derek Jarman as Pasolini. The film features an evocative dream sequence which is accompanied by poignant excerpts from Pasolini’s own poetry, as read by Jarman.

A highly anticipated birthday is the talk of the town.

Despite their disinterest, a young child tries to convince her local community she wants to become a statue, bringing her on surreal voyage towards the garish monolith that lingers in the background.

Moments of lost self-control.

A day in the life of an old shepherd during the lambing season on the Sussex Downs. He talks of the problems in Winter, when lambing is complicated by snow. -BFI

A short film depicting a dad's influence on a young boy's life. His judgmental character mixed with the boys fondness for his dad prove to be a toxic mix that tears away at a world of opportunity and experiences.

Although Mermaids have been traditional symbols of fertility and a sexuality so powerful as to be a danger to shipping, details of their reproductive processes have been scarce. The film reveals the cycle of laying, fertilising and hatching as well as the previously secret role of storm-wrecked sailors.

The classic Shakespeare play in a way you've never seen.

After a woman is responsible for a hit and run, spooky things starts to happen to her. A small thriller about people that are not always the best at making decisions.

Their last dinner before he leaves to join the Army. The reality of the situation begins to break in through the four surrounding walls.

A young boy gets caught stealing a sheep and is shaved of all his hair and branded with a mark on his forehead so that everyone will know that he is a thief and not to be trusted. Dumped in the desert, the thief covers his marking with a headscarf and goes to the nearest village where he is taken in by a trusting family in return for his work. However, has be actually changed or is he still the same thief at heart?

If you repeat the word 'fly' for long enough it sounds like you are saying 'life'. This is of no help to Peter. His answers lie in the brain of the beetle.