In a dystopian Switzerland that has fallen under the fascist rule of an evil cheese tyrant, Heidi lives the pure and simple life in the Swiss Alps. Grandfather Alpöhi does his best to protect Heidi, but her yearning for freedom soon gets her into trouble with the dictator’s henchmen. The innocent girl transforms herself into a kick-ass female fighting force who sets out to liberate the country from the insane cheese fascists.
Famous British mountaineer Winter wants to climb a difficult summit, the Citadel. He goes to a small village but no guide wants to accompany him. A young man from the village, Rudi Matt, whose father died fifteen years earlier during an attempt to climb the Citadel, is determined to accompany him, with the help of his uncle. Winter also manages to hire a guide from a neighboring village and competitor, Emil Saxo. The roped party of four men then begins the ascent of the still untouched summit.
Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.
The first ascent of the Matterhorn was made on July 14, 1865 by Edward Whymper, Francis Douglas, Charles Hudson, Douglas Hadow, Michel Croz and two guides from Zermatt, Peter Taugwalder father and son. Douglas, Hudson, Hadow and Croz are killed on the descent after Hadow slips and drags the other three men down the north face. Whymper and the two Taugwalders, who survive, are later accused of having cut the rope that connected them to the rest of the group so as not to be dragged into the fall, but the ensuing investigation finds no evidence of their guilt and they are acquitted. The Matterhorn is the last great peak in the Alps to be conquered and its ascent marks the end of the golden age of mountaineering. One hundred and fifty years later, a team undertakes the same expedition in order to unravel the mystery.
The first filmed winter ascent of the north face of the Matterhorn. To set the scene, the tragic story of Edward Whymper's first ascent is skillfully pieced together. The modern expedition, a team of three British climbers, is also plagued with epics: Eric Jones is hit by an avalanche and can only come to a dangerous stop at the edge of a 1000 foot drop. Then the worst storm ever recorded in Zermatt hits the Matterhorn. With time and weather against them, the team is forced to climb in the dark as thunderstorms rumble around them. This adventure captures the skill and courage of the climbers, their agony and tension, and the beauty of the assault on this spectacular mountain. Grand Prize at the Les Diablerets festival (Switzerland) in 1976.
It was a dream of superlatives: to establish a new alpine skiing downhill classic at the foot of the Matterhorn. Sponsors, athletes and fans were on hand, but the weather didn't cooperate. A reflection on the relationship between sports, tourism and climate change.
Starting from the Swiss village of Zermatt, two people and a guide make a perilous ascent of the Matterhorn. Local villagers mount a torchlight rescue of a British couple trapped on the famous mountain. Irving Allen shot footage for this documentary while filming his feature film 'High Conquest'. Filmed in Ansocolor, the documentary won the Academy Award for Best Short Film in 1947.
In 1953, in an old cabinet of a former photographer from Zermatt, a first mountaineering film was found. It was a silent film from the first era showing the ascent of the Matterhorn by a group of guides across the Hornli ridge. The film is attributed to the American Frederick Burlingham and dated 1901 and is therefore the first mountaineering film in history. The story of the discovery was also dressed in a certain aura of legend and mystery as it was told that the original copy of the film had been lost forever in a shipwreck in the Atlantic and was the only copy printed that remained. The film was renamed Cervin 1901 or Cervino 1901, and in 2014, after being restored again. But the truth is that this whole story, which has somehow held together throughout this period, is full of inaccuracies...
