Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.
The personal and professional story of Ilona Staller, known as Cicciolina, is probably unique: she left communist Hungary and moved to Italy, where she found a fertile environment for a life dedicated to scandal.
The story of Enrico Berlinguer's private and public life, between 1973 and 1978.
The film shows the difficulties of an honest, imperiled judge and his bodyguard of four men, trying to clean up a Sicilian town. Corrupt local politicians, working hand-in-hand with the Mafia, will stop at nothing to prevent exposure of their rackets.
In 1945, the dictator of fascist Italy and Hitler's close ally Benito Mussolini faces defeat. In a desperate attempt to avoid capture, he tries to flee the country with his lover Claretta Petacci, but Italian partisans are on their tail.
The work deals with the election campaign of Vladimir Luxuria, the first transgender woman to sit in the Italian Parliament. She started off as an entertainer in gay nightclubs, found fame in television parlours and achieved consecration as a defender of LGBT rights by organising the first World Gay Pride in Rome in the Jubilee year. Luxuria entered parliament and with her emerged a social cross-section of an Italy that is changing in spite of prejudice. Thanks to her social battles around Italy, the voices of LGBT people gain visibility and social recognition
In many Western countries, trust between the people and conventional political parties is at a low point while populist movements are on the rise. In Italy, protest party Movimento 5 Stelle, founded by popular comedian Beppe Grillo, vows to send all politicians home and bring power to the people. They win a stunning 25% votes, becoming the most-voted single party in Italy, but what happens when ideals meet parliamentary reality? Can one be uncompromising and effective at the same time? Are internet referendums direct democracy or faceless mob rule?
Romanzo Radicale is political and human adventure of Marco Pannella, portraying the most intimate moments, the political fights, his unique gestures that have made an era.
Much-censored documentary encompassing thirty years of Italian politics under the governance of the Christian Democracy (DC), entirely composed of — occasionally dubbed — archival footage.
The last days of Marco Pannella’s life - indomitable and disruptive protagonist over 60 years of Italian political life - shown through never before seen repertory materials, as well as unpublished interviews and illustrious interventions. A deserved portrait, dedicated to one of the most independent figures of the 900 Italian.
The making of patriotic films was not rare among FAI productions, and Il bacio della gloria is one example, together with Armi e amori (1913) and Per la Patria! (1915). In this Speech from the Throne, which opened the 14th Legislature, the King of Italy stressed and underscored with his words the period recalling the story of the glorious conquering of Libya, sending warm greetings to the courageous men who fought, and to the heroes who fell, for the loftiness of their country. In a response worthy of these august words, immediately thereafter Pathé released this patriotic film which tells one of the many stories of courage which bring glory to the Italian flag.
Satirical television program aired from November 4 to December 18, 2002. The transmission was intended to shed light on a case (of course fantasy) of a missing person, Mario Scafroglia. The hypothesis was that the man had voluntarily lost track of himself, which offered in each episode new food for thought to deepen in a satirical way themes of current affairs, politics and costume, in an attempt to understand the reasons that had driven Scafroglia to flee.
