Keyword Spanish Cinema

At the end of the 90s, Granada is in the middle of a cultural boom. Los Planetas, the cult Spanish rock band, is about to break up. Mario, a young music-loving student, is the privileged witness of this imminent break-up. Plunged into the heart of their tensions, he will play a role in the mythical history of this group.

The horror film [REC] — directed by Jaume Balagueró and Paco Plaza, and released in 2007 — was an unprecedented triumph for Spanish fantasy cinema. Fifteen years later, those responsible for the creation and worldwide success of this cinematic milestone decode its keys and resurrect the myth.

A portrait of the internationally acclaimed Spanish film director Isabel Coixet and an analysis of her particular world and her sensibility as a creator: her fictional universe, her career and her life through the words of actors, technicians, family, friends, journalists, specialized critics and those filmmakers who have been inspired by her work.

A portrait of film critic Carlos Boyero, one of the most followed and feared figures in Spanish cinema, surrounded by controversy and both love and hate.

Fernando Fernán Gómez (1921-2007), actor, writer, playwright and film director, was for decades one of the most important figures in Spanish culture. His close friends and relatives reveal another facet in which he stood out above all: that of being an excellent conversationalist, capable of hypnotizing and seducing those who listened to him.

Rafi sneaks into the Marchioness's hunt, which brings together all the Spanish high society, to sell them his business. He and Fali will discover that hunting is not what it seems, and that the future of Spain is being decided on the farm.

The early days of the future genius of Spanish cinema Luis García Berlanga, from his birth in Valencia in 1921 to his departure to Madrid in 1947 to become a filmmaker.

A house. From outside come shouts of what looks like a demonstration. Inside, two children, Luis (six years old) and Ana (eight years old) play while her mother, Carmen, tries tough it out in front of the little ones.

A look at the life and work of Spanish filmmaker Mario Camus (1935-2021).

A look at the life and work of Spanish filmmaker and film critic Fernando Méndez-Leite, as he writes his memoirs and a novel with autobiographical resonances.

Ana, her mother and grandmother live in a small town in southeastern Spain where all three are regarded with suspicion.

A group of friends have to survive a weekend in a hotel with a huge amount of virtual money to guard, putting their ingenuity to the test.

A conversation about the work of Spanish filmmaker Luis García Berlanga (1921-2010) and his perdurance in contemporary Spanish cinema.

A journey through the work of Spanish filmmaker Juan Piquer Simón (1935-2011).

The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

How Don Quixote de la Mancha, the immortal character created by Miguel de Cervantes in 1605, has been depicted in cinema, television, cartoons, theater, opera, ballet and other artistic disciplines. An adventure that began more than four hundred years ago in the pages of a book and is far from coming to an end.

Three college students start a social experiment to prove that reality changes according to the words we use to describe it. Through research, activist actions, and artistic interventions, they analyze the importance of language in the way we understand the world. The documentary includes analysis from more than 20 international experts and leaders in the fields of political communication and information.

Emilio Pascual, a historical figure of Andalusian cinema from the early 1900s, appears in today's Malaga with the mission of bringing the first documentary filmed in Andalusia to its first screening.

In an unexpected encounter, the life of an experienced writer takes an unforeseen turn when he meets Fernando Lara, a peculiar hotel receptionist with an unusual medical condition. Fernando suffers from irritable bowel syndrome, a disease that basically makes him soil himself at any moment and in any circumstance throughout the day. This will lead him to a great adventure.