Keyword Mixed Race

After the disappearance of her scientist father, three peculiar beings send Meg, her brother, and her friend to space in order to find him.

Crocodile Dreaming is a modern day supernatural myth about two estranged brothers, played by iconic Indigenous actors David Gulpill and Tom E. Lewis. Separated at birth, they have different fathers. One is readily accepted as a full-fledged member of the tribe and is looked on to fulfill the duties of jungaiy, an important ceremonial role which obliges him to be caretaker for his mother's dreaming, the crocodile totem. The other, whose father was white, is younger and has had to struggle to fit into the tribe who see him only as a yella fella.

In 1856, slave Eliza plans to marry George with the consent of the Shelbys, her masters, but George's owner prevents the wedding. A few years later, Eliza flees with her son, Harry, after learning the Shelbys plan to hand them over to a crooked creditor to prevent foreclosure. George also escapes and goes on the run while Eliza and Harry are captured and brought back home. Mother and son are separated as George tries to find them both.

Two Scotland Yard detectives investigate the murder of a young woman of mixed race who had been passing for white. As they interview a spate of suspects -- including the girl's white boyfriend and his disapproving parents -- the detectives wade through a stubbornly entrenched sludge of racism and bigotry.

Thirteen women who were schoolmates ask a swami to cast their horoscopes. The news they receive is not good for any of them.

W. Kamau Bell tackles the joys and challenges of growing up mixed-race through conversations with kids and families in the San Francisco Bay Area, including his own.

When the relatives of a recently deceased voodoo priestess gather at her sinister house on Skull Mountain for the reading of the will, they discover a killer in their midst who wants to keep them from collecting their inheritance.

A journey through the memories of a young girl struggling to come to terms with the complexity of her mixed-raced identity.

Set in Red Hook, a Brooklyn neighborhood on the verge of gentrification, GOOD FUNK follows three generations of citizens whose lives intersect through acts of kindness both big and small.

After learning to 'write what you know,' in film school, Half-Filipino and Half-White aspiring filmmaker Andrew Orticio travels back to his father's village in the Philippines to understand his mixed identity.

Left in the care of his half-breed brother, Buck, by his dying mother, Wallace Layson has no knowledge of his family history. His father, knowing that his son will inherit a ranch on his 21st birthday, tries to secure the property for himself by persuading a dance hall girl to come between the boy and his fiancée. When Buck learns of the plan he decides to foil it without his half-brother knowing.

Sorn, a multiracial photographer, is assigned by his editor to take pictures of Laos, where he's reluctant to go. Even though, Sorn is half-Laotian, going back to his homeland is never on his mind. Sorn arrives at Pak-Cher town where he hires a guide, Noi to take him out to the best picture spots in Laos.

Chronicles the rise of Collab Crib, one of the first mainstream Black creator mansion, exclusively documenting their whirlwind drive to achieve social media stardom in 90 days.

The director explores the birth origins of actress Merle Oberon, traveling to Tasmania and India in search of the truth, but her quest ultimately results in probably more questions than it answers.

After an interaction with a friend from the mosque he attended as a young boy, Yasine begins to question his Moroccan identity, faith, and life without his father.

Black filmmaker John Akomfrah believes that, for too long, being English has meant being white. In an attempt to show Englishness from the point of view of mixed-race English people, he visits Liverpool, one of England's oldest multicultural communities.

Rainbow Johnson recounts her experience growing up in a mixed-race family in the ‘80s and the constant dilemmas they had to face over whether to assimilate or stay true to themselves.

Englishman Bryan Jenkins was living peacefully with his Japanese wife Itsuki and daughter Alice in London, when his Japanese mother-in-law suddenly passes away, and the family decides to uproot to Tokyo to look after his father-in-law Tsuneo.