One of the last great German Expressionist films of the silent era, Joe May’s Asphalt is a love story set in the traffic-strewn Berlin of the late 1920s. Starring the delectable Betty Amann in her most famous leading role, Asphalt is a luxuriously produced UFA classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of traffic.
In the early days of Nazi Germany, a powerful noble family must adjust to life under the new dictatorship regime.
In this docudrama Rosa von Praunheim looks into Johann Wolfgang von Goethe’s sexual orientation, especially into his erotic experiences during his travels in Italy. Contrary to the common belief, von Praunheim argues that Goethe was not a heartbreaker and conqueror after all. It was only in Italy, that he had diverse sexual experiences, not least with men. Von Praunheim bases his assumption on letters written by Goethe to his friend Friedrich Heinrich Jacobi about these sexual encounters. Some of the content of these letters is re-encated in the film. At the same time, historians and linguists analyse and classify the letters into their historical context.
A lighthearted psychodrama about mommy issues and Hillary Clinton.
The Weimar Republic came to bear for many the humiliation of World War I and the blame for all its accompanying hardships. Despite a few years of stability, the Weimar Republic faced issues such as hyperinflation and the Great Depression, which drove many Germans into the arms of radical and extremist political parties. From this political uncertainty rose a demigod, an unexpected leader who promised to revive Germany to the powerful country it once was. Adolf Hitler converted democracy into a dictatorship, causing the fall of the Weimar Republic.
In this realistic, unsentimental portrait of Germany’s dire economic situation, a middle-aged payroll clerk loses his job due to technological advances and, unable to find another, descends into despair. The film’s director, Marie Harder, was one of only a few women directors of the time and was also the head of the German Social Democratic Film Office. She made only two known films before her accidental death in exile in Mexico in 1936.
Documentary film about the agricultural and industrial district in Thuringia. The focus is on the district town of Erfurt, with Gotha, Eisenach and Weimar as other towns worthy of mention and steeped in tradition. This documentary, which has the characteristics of a promotional film, still bears witness to the wealth of its owners and the cities, but more than ever to all those who used their skills in the context of monument protection in the GDR to restore these buildings with their Gothic and Renaissance splendor and preserve them for posterity forever.
In this film essay, critic Peter Buchka explores the German cinema of the 1920s, ranging from the disquieting images of Fritz Lang's Metropolis to the castrating sexuality of Marlene Dietrich in Die Blaue Engel. The program provides an introduction to Weimar cinema, with Buchka's essay narrated over the images from film clips of 1920s era German films.
Report from the party congress of the Liberal Democratic Party of Germany (LDPD) from April 5 to 7, 1982 in Weimar.
