The Giver 2014
In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the "real" world.
In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the "real" world.
Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.
The wicked Blue Meanies take over Pepperland, eliminating all color and music. As the only survivor, the Lord Admiral escapes in the yellow submarine and journeys to Liverpool to enlist the help of the Beatles.
Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.
A Sunday Afternoon on the Island of La Grand Jatte by Georges Seurat is one of the great paintings of the world, and in "Sunday in the Park with George," book writer James Lapine and composer/lyricist Stephen Sondheim bring a story based on the work brilliantly to life. While the painting depicts people gathered on an island in the Seine, the musical goes beyond simply describing their lives. It is an exploration of art, of love, of commitment. Seurat connected dots to create images; Lapine and Sondheim use connection as the heart of all our relationships. Winner of the 1985 Pulitzer Prize for Drama. Originally broadcast as part of "American Playhouse" on PBS (season five, episode nineteen).
An imaginative tale chronicling the adventures of a diverse band of crayons as they strive to protect not only their magical multihued homeland but the imagination of children everywhere from a terrifying monster.
Mickey and friends put on a revue for the orphans. Donald recites nursery rhymes, but the orphans torment him. Horace, Goofy, and Clarabelle do a dance number. Donald tries again. Clara clucks a song while Mickey plays piano (with support from an unseen orchestra). Donald returns, and the orphans finally send a parade of bricks and eggs on balloons over him and use slingshots to drop them on his head.
This animated short by Evelyn Lambart is a visual adaptation of the famous Aesop fable "The Lion and the Mouse," in which a mouse proves to a lion that the weak and small may be of help to those much mightier than themselves.
May 1, 1929. A decomposing headless body is found inside an abandoned wooden box in Madrid's Atocha train station. The victim is later identified as a Barcelona businessman that vanished six months before.
Throughout a night out in downtown Tijuana, Laura waits for her destiny to arrive.
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
A profile of writer-director Billy Wilder
The history of color photography in motion pictures, in particular the Technicolor company's work.
The old farmer Ammi tries to understand the traumatic loss of his friend, who died in a mysterious way. We follow him as he gets confronted by the demons of his past and he tries to overcome his fear.
Borrowing from an anthropological study initiated through the University of California in 1969, The Taste of The Name is a fantasia on universality. As a parallel to the elusive “umami” and its gradual scientific acceptance as a primary taste, we consider what is perceivable, knowable, and namable. Through the blue spectrum of various hermetic artifices, we are fed fables of Jules Verne's Nautilus and resurface in a virtual tanning bed, turning over in a slippery navigation of language.
Using bluescreen video techniques, Terayama playfully—and with a silent film theatricality—posits a series of postmodern vignettes featuring realities-within-realities as his protagonist attempts some kind of relationship with a nude woman on the screen-within-the-screen. In his struggles to “free” her, he exposes the absurd flimsiness, deceptiveness and mutability of both the cinema experience and our human dimension.
Pablo, an introverted child, has the ability to enter his mother's paintings, this takes him on a surreal and bizarre journey that dissolves the limits between reality and imagination.
Documentary narrated by Kenneth Branagh consisting of colourised footage from World War I.
Lorca, a great Spanish poet, playwright, and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27. He was executed by Nationalist forces at the beginning of the Spanish Civil War. Nickolas Grace gives a fabulous interpretation in the title role and he even bears a remarkable resemblance to Lorca.
We live in a world ablaze with colour. Rainbows and rainforests, oceans and humanity, Earth is the most colourful place we know of. But the colours we see are far more complex and fascinating than they appear. In this series, Dr Helen Czerski uncovers what colour is, how it works, and how it has written the story of our planet - from the colours that transformed a dull ball of rock into a vivid jewel to the colours that life has used to survive and thrive. But the story doesn't end there - there are also the colours that we can't see, the ones that lie beyond the rainbow. Each one has a fascinating story to tell.
Dr James Fox explores how, in the hands of artists, the colours gold, blue and white have stirred our emotions, changed the way we behave and even altered the course of history.