seriousFilm

Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.

In FEAST, perpetrators, victims and their spectators become involved in a dramatic reconstruction of the Groningen HIV case. The film tells a story about power and surrender, the reversibility of truth and the desire to come home somewhere.

The film addresses pressing Earth-related issues as seen by a lone astronaut named Antony. The Guardian Moon symbolizes defense against the danger of space debris from above. In addition to the climate crisis, human waste, even in space, determines our fate. Antony is aware of these problems and, as he puts it, “A little waste of man, a huge pile of humanity.”

A football hooligan feels unconditional love for his club. However, being gay, he has to hide his identity in order to survive in this world that is so precious to him.

A new media, science-fiction video film project about the creation of the first "modular body," a living organism which functions as a series of parts, and not a closed system, dependent upon the blood of its creator to survive.

A journey at high altitude seen through the eyes of three mysteriously connected hikers. After their coincidental meeting we follow these three on their personal odysseys. The levels of concentration they exhibit in trying to avoid mistakes makes their experience of the overwhelming landscape even more intense.

Set in a confined world outside time, East of Noon is the fable of prodigy Abdo (19) who uses music to rebel against his elders: showman Shawky (70), an eccentric showman who rules with a mix of performance and fear, and storyteller Jalala (75), who provides relief with stories of the Sea, which no one else has seen. East of Noon is a satire on the inner workings of an ailing autocracy and its inherent vulnerability to youth’s unchained vision of a better world.

An immersive initiation into the life of a Maroon community in the former Dutch colony of Suriname. Combining stories of African ancestral traditions and escaped slavery with enacted contemporary rituals, the film explores how the community’s powerful ties to the land have become endangered as industries threaten to devastate the region through deforestation and mining.

Ever since she found out her husband Evert was having an affair, Foekje has been living in a hotel she cannot afford. In desperate need of money, she has a plan. The area surrounding her mother’s house is being bought by the government for large sums of money, and Foekje can collect this money by having her mother Nel sign a power of attorney. Unfortunately, Nel is a doomsday prepper who lives in her basement in anticipation of the apocalypse.

Linguist-philologist Mark Janse discovers speakers of the Cappadocian language – previously assumed extinct, linguists worldwide are exhilarated at the discovery, but Janse realizes the rediscovered language is doomed to die anyway.

There is friction in the water. An entity of the environment but also a constant subject of manipulation. When water became a ‘thing’ that you can buy in a bottle, something changed. L’eau Faux is an experimental film with animation, puppeteering and actors.

Man is a cubical shaped figure who rectifies all bumps and humps in order to keep his desolate world flat. His confrontation with a little red ball, that loves to create gigantic holes, messes up his ideal of a perfect straight world.

An obsessive collector (Erik Fens) creates his own scrapbook world. The film presents analyses of the collecting impulse based on Freudian theorie and Buddhism.

Branko obsessively trails his brother through Belgrade, trying to fathom his unusual behavior, but realizes along the way that he himself is the strange one, an observer, an apparition. Branko keeps walking and leaves the city behind, passing through landscapes and borders on his way to somewhere else: a place where everyone and everything has a story to share.

The solidarity of the North Kenyan community and the way they align with nature’s rhythm moved us. In this honest film you can see the major changes brought about by the transition from darkness to electric light. We Westerners take it all for granted and don't know it any other way, but in Kenya the "death of darkness" brings lots of expectations, hope and struggles.

Left behind at an isolated boarding school, young Will quickly becomes a target for bullying. Only the friendship from a small bird brings him solace. But as the bullying worsens, Will’s means of escaping the world grow darker.

So young he can barely carry his spear, a young boy lagging behind the other warriors is dragged into a bizarre world of shifting sands.

Ferry Bertholet has a fascination for the Far East. Over the past 30 years he was specialized in collecting Chinese erotic art, which is no longer to be found in China itself, where it has been banned and destroyed. As a result, Bertholet now owns a big part of this cultural heritage. His collection is one of the largest in the world. It has also dominated his life: day and night, all he thinks about is his collection. At odds with this is the realization that his collection is basically just things. This is why he is now contemplating the idea of selling everything. If all goes well, this cultural heritage will return to its country of origin. Will it be a regret or a relief?