The principal character in Helvécio Ratton's delightful film has been adapted from a book and comic created by the Brazilian cartoonist Ziraldo, and tells the tale of a happy-go-lucky 10-year-old child growing up in a city in the 60s.
In this new adventure, Maluquinho is spending the holidays at the home of his grandfather Tônico (Stênio Garcia), an inventor who lives in a small community in the interior of Minas Gerais. His friends Junim (Samuel Brandão), Lucio (Cauã Bernard Souza), Bocão (João Romeu Filho) and Nina (Fernanda Guimarães) are coming to the city to help Maluquinho organize the circus for the centenary of the city. On this trip, they meet Tatá-Mirim, a small flame that ends up making the city believe that they are being invaded by the Capeta. So they end up living many adventures.
The great battles are the backdrop for the unfolding of the Egyptian Queen's personal life. The strategy of Cleopatra is to seduce the Roman General Julius Caesar and Mark Antony to protect their civilization.
Three friends, Hilda, Matilda and Gaspar, meet in a rundown downtown apartment during a weekend to chat, drink and experience pleasure.
A cinematographic essay, without dialogues, about the months Nietszche spent in Turin, Italy, with narration quoted by his original writings.
Mr. Kapa and his assistant meet Iara, a mythical being, in a river with purple waters. Geléia, the assistant, fills a bottle with this magic water and makes three puppets turn alive.
Two teenagers from opposite sides of town, with very little in common except for their passion for music meet in 1970's Rio de Janeiro, at the height of the military dictatorship _ and of Brazil's booming underground rock scene.
The film shows the drama of the young and fragile Lalinha. After being abandoned by her husband, who ran away with another, the girl seeks comfort on the farm where the two in-laws live and the widowed father-in-law. There, the girl discovers a new world.
French poet Blaise Cendrars arrives by sea on the city of Rio de Janeiro and lives s life of bohemian parties during the celebration of carnaval.
Immersion in a zone where fluid forms and the absence of words reveal that silence is before all things.
