Strand Productions

In this two-part Rashomon-esque mini-series, a TV journalist investigates a rich politician and his family after a dead body is found on their property and they all have different story about the day of the incident.

Insurance investigator Sam Donovan is looking into the apparent suicide of a man in a small Midwestern town. All clues leads him into suspecting murder. Unfortunately, no one wants to assist him with the case, including Sheriff Larry Best.

Jane, a housewife, is confronted during her daily chores by Dennis, her married lover with whom she has had a long affair. Dennis tells Jane that he has to break off their relationship. She threatens suicide, but when she picks up a shish kabob skewer, the two struggle and Dennis is stabbed in the chest and collapses. Jane hides the body in the house. Before she can leave, her brother-in-law arrives and tells her that he knows about the affair and that he has invited her husband, her lover, and his wife to her house that evening so that he can tell them about the affair.

Harry Fielding is an investigative reporter with a brief to covertly document the compromising exploits of public figures. Incriminating evidence captured on his camera is used by his unscrupulous boss, Hamilton, to blackmail the very people they are supposed to be protecting. The tables are turned when Fielding and Hamilton themselves become the subject of scrutiny and are plunged into a world of Subterfuge, Intrigue, blackmail and murder.

After a brief encounter with the romantic and thrice divorced Kenneth Marquis, Corliss Archer decides to write in her diary that they are together in order to make her boyfriend Dexter jealous. Corliss' father had also served as attorney representing Kenneth Marquis' ex-wife during his most recent divorce trial. When Corliss and Dexter don't come home one evening until five in the morning, Corliss decides to pretend to have amnesia to avoid the inevitable punishment awaiting her.

The war in Europe is over, but the one at home has only just begun. The Second World War is ending and throughout Britain, evacuees are returning home to their families - but not the families they remember. Like so many other women, Peggy’s life has been transformed by the war. Living and working with good friends, she is happier than she has been for years. Yet Peggy’s life is not the only one changed by the war. Her daughter, Rusty, has just returned from the U.S., where she has been living as an evacuee for the last five years. After so long abroad, her home in England has become unrecognizable. Just as Peggy begins to restore normal family bonds, her husband returns from the war, damaged and desperate to make everything as it was before. Adapted from the novel by Michelle Magorian, author of Goodnight, Mister Tom, Back Home is the story of a family who struggle to make sense of their new lives in a world irrevocably altered by the far-reaching effects of war.

A 1940 black and white film, production sponsored by the Colonial Empire Marketing Board. 'The East African colonies are introduced as representative examples of the Colonial Empire. A tribal dance hints at the "life of fear and uncertainty" replaced by British rule, a village's "squalor" the need for continued war on "ignorance, poverty and disease." "Much can be achieved by money and the initiative of the White Man:" film hints at hydro-electric schemes, modern harbours (Mombasa), roads, bridges etc and illustrates in more detail hospital expansion; tsetse fly research and control; relieving malnutrition; agricultural improvement; education (primary school; Makerere College)." - Abridged version of synopsis on colonialfilm.org