The Immigrant

The Immigrant 1917

7.26

An European immigrant endures a challenging voyage only to get into trouble as soon as he arrives in New York.

1917

Easy Street

Easy Street 1917

7.10

A derelict, huddled under the steps of a missionary church, feels enlightened by the sermon of a passionate preacher and infatuated by the beauty of the congregation's pianist, in such a way that he tries to improve his life of poverty by becoming a policeman. His first assignment will be to patrol along Easy Street, the turf of a vicious bully and his criminal gang.

1917

The Adventurer

The Adventurer 1917

6.90

The daring convict no. 23, known as The Eel, escapes from prison and, after mocking his inept persecutors, saves the lives of three people in peril: a beautiful girl, her mother and an annoying suitor, only to get exhausted and almost drowned. Once he regains his strength at Judge Brown's home, he participates on an upper-class social party where he competes with the suitor for the favors of the charming Miss Brown. But prison guards are still after him…

1917

The Cure

The Cure 1917

6.80

An alcoholic checks into a health spa and his antics promptly throw the establishment into chaos.

1917

A Man There Was

A Man There Was 1917

7.02

Terje Vigen, a sailor, suffers the loss of his family through the inflexibility of another man. Years later, when his enemy's family finds itself dependent on his benevolence, Terje must decide whether to avenge himself.

1917

His Wedding Night

His Wedding Night 1917

5.50

Al and Roscoe, employees at a gas station, are rivals for Alice. When Buster delivers a wedding gown for Alice and begins modeling it, he is mistaken for Alice and is kidnapped by Al.

1917

Satan's Rhapsody

Satan's Rhapsody 1917

6.40

A Faustian tale about an old woman who makes a pact with Mephisto to regain her youth, but in return she must stay away from love. After making the deal, she meets two brothers who fall in love with her.

1917

The Butcher Boy

The Butcher Boy 1917

6.10

Customers and clerks frolic in a general store. Roscoe walks out of the freezer wearing a fur coat, then does some clever cleaver tossing. In Buster's film debut he buys a pail of molasses.

1917

The Rough House

The Rough House 1917

5.60

Living under the same roof with his newly-wed wife and his mother-in-law, a careless Mr Rough sets the nuptial bedroom on fire, as the residence's cook tries to woo the maid who only has eyes for the charming delivery boy. As one thing leads to another, Mr Rough ends up preparing dinner for a pair of duplicitous guests, when, clearly, he should be staying out of the kitchen. Does Mrs Rough know the visitors' true intentions? But, above all, how will this disastrous dinner party at the Rough house end?

1917

The Poor Little Rich Girl

The Poor Little Rich Girl 1917

5.80

Gwen's family is rich, but her parents ignore her and most of the servants push her around, so she is lonely and unhappy. Her father is concerned only with making money, and her mother cares only about her social position. But one day a servant's irresponsibility creates a crisis that causes everyone to rethink what is important to them.

1917

A Romance of the Redwoods

A Romance of the Redwoods 1917

6.42

A young girl travels west to live with her uncle during the California Gold Rush only to find that he has been killed by Indians and his identity assumed by an outlaw.

1917

Coney Island

Coney Island 1917

5.80

Arbuckle escapes the watch of his domineering wife and heads for Coney Island. Keaton arrives that same day with his attractive, and rather easy, girlfriend, who is immediately stolen from him by St. John.

1917

Are Waitresses Safe?

Are Waitresses Safe? 1917

5.00

Chaos reigns in Louise Fazenda's kitchen as the cat stalks and consumes the bird in the cuckoo clock and the baby paints its face with jam. In her next job in a restaurant kitchen, Louise scrambles up her powder puff and her biscuits. The cook orders her to lighten them up. She blows them up like balloons, but they come out like rubber balls and so she is bounced out of that job. In her next position as housekeeper to a rich family, she throws a party for her friends when the family goes on vacation and they turn the house topsy-turvy.

1917

The Dying Swan

The Dying Swan 1917

6.50

After being betrayed by her playboy lover, a heartbroken mute young woman joins a ballet company; during a performance of “The Dying Swan,” she enraptures a painter obsessed with portraying death genuinely.

1917

The Secret Game

The Secret Game 1917

5.50

In the office of Major Northfield, the quartermaster of the Pacific Coast, a leak has been discovered which may endanger the safety of American transports that are secretly carrying troops across the Pacific. Nara-Nara, a Japanese detective, is assigned to the case because his country has guaranteed safety to these transport ships. Nara-Nara believes that Northfield is guilty, although in reality it is Northfield's secretary Kitty Little, a girl of German ancestry, who is passing information to Dr. Ebell Smith, a German agent. Nara-Nara falls in love with Kitty, but soon after discovers that she is the leak in the quartermaster's office.

1917

Thirst

Thirst 1917

1

A woman has moved to a small town boarding house to seek peace and quiet. All too soon she finds herself in a Keystone movie, where there's everything but.

1917

A Clever Dummy

A Clever Dummy 1917

5.00

An inventor and his assistant build a robot that looks like their janitor, and everyone tries to profit off the invention.

1917

Her Torpedoed Love

Her Torpedoed Love 1917

5.00

A wealthy invalid tries to add his hard-working cook to his will, but the conniving butler gets in the way.

1917

The Merry Jail

The Merry Jail 1917

6.40

A neglected wife disguises herself in order to lure her wastrel husband into a compromising position.

1917

Rebecca of Sunnybrook Farm

Rebecca of Sunnybrook Farm 1917

5.80

Behind in the mortgage on Sunnybrook Farm and barely managing to feed seven hungry mouths, mother sends young Rebecca off to Riverboro to be raised by her wealthy Aunt Miranda. The little girl is treated like a prisoner by her strict Aunt, yet she gamely does her best to get an education. When spoiled girls at school mock the spirited Rebecca as "missy poor-house," she soon makes them come to eat their words. Despite many difficulties, Rebecca manages to help the less fortunate and spread joy in Riverboro, dreaming that her reward will come when she is "all growed up." This version is notable for having been adapted by famed female screenwriter Frances Marion.

1917