ELO Film School Finland

Three young women are having hard time, each of them having their own struggles. They share kindness, compassion, hope. Then suddenly one loses their phone and the girls are pulled into a sudden chase around Helsinki.

Rebekka and Aatos, stuck in the past, meet for the first time since their painful breakup at their treasured poetry slam. It’s easier to sing about longing than to talk about it.

Somebody Should Do Something tells a story of insecurity and longing for freedom, of fear that drives people to poor choices. The main character, Elvis, falls for the new girl in class, Onerva. Seeking acceptance from his friends, Elvis lies and tells them he’s had sex with Onerva. Due to the lies and misunderstandings, the whole town is soon at a point where somebody should do something.

Nick Mayers, a music icon, comes to believe that he is the only real person around whom the world revolves. When Nick announces this belief and refuses to perform on the night of a big concert, he sees how quickly his world turns against him. His theory is put to a test as he tries to escape his world.

Out into the big wide world as fast as possible. That’s Elli’s plan. But where should she get the money from, if not steal it? When Heze falls for her, she steals from him and both have to learn: “Adulthood is a big pain in the arse”.

A daughter writes a letter for her father, who she lost after he was sentenced on charges of blasphemy.

The supermarket is nearing its closing time, and the last customers are queuing for their turn at the fish counter. The agonizing wait offers a chance for existential reflection and a little song.

Nesting is a story about Veikka (20), who is about to leave his work place - a construction site owned by Kari (50) - to start a new life in the big city. Veikka thinks the goodbyes will go smoothly, but gets interrupted by a rare situation: there’s a baby in the crane. The surprising problem is an annoyance at first, but in the end it opens up communication between the employees in a way that has been difficult in the past.

A documentary about one night at Alexander Theatre in Helsinki. Staff prepares for 300 guests, serves them and closes this historically significant building for the night.

A world-weary reality TV host (Alma Pöysti) is given one last chance by her producer. Accompanied by a cynical filming crew, she goes to find out what happened to a celebrity who wet himself in a dance show on live television.

Janika takes advantage of her pregnancy by smuggling amphetamine from Tallinn to Helsinki with her brother.

After her father's funeral, Maarit plans to return to Thailand. On the day of the departure, she finds her mother Sylvi and her father’s taxidermy badger in a bar and Sylvi makes a revelation that may change Maarit’s departure plans.

Markku built a house for his family with his own bare hands like a strong man is supposed to do. He worked hard from dawn to dusk, so that his seven children would have a roof above their heads. Unfortunately, the task ended up being too hard and Markku burnt out. One day, he left his family and disappeared abroad. The filmmaker travels to his childhood home to face his father, who he never got to know properly. Together they build a steel gate in front of the unfinished house, and try to create a relationship between each other.

The documentary is a part of "Europe refuses to work" project. The goal of the project has been to gather together ideas and practices that are encouraging from the critique of work, which open up prospects for a more meaningful and sustainable world.

After the disappearance of his wife Juha has lost control of his life as well as the connection to his son. One morning a visitor comes to his door and the one-day love story following this encounter leads Juha to crossroads. We Have Heaven is a short film about old junk, nocturnal organ ballads and cosmic distances.

Story about 29-year-old Krisu, who is quite lost in her life. Luckily, she has a indie band called Wendy and the Refugee Neverland.

They are everywhere without us observing them. These ‘invisibles’ can only be seen on camera and only heard thanks to a microphone. Footage shot in public spaces shows people who seem non-existent to everyone else in the frame.

Arvo is lonely, and his annoying big sister Ulla is no help. Arvo decides to get himself a new friend: a parakeet.

Joy the Magic Clown’s faith in herself is being tested. But if you can’t believe in yourself, how can you believe in magic?